Liliana Ramos Peña

A film essay that explores the relationship between film and memory, based on the personal memoir of the director. An autobiographical attempt to analyze this relationship going from the individual to the collective. From Chris Marker to Hitchcock and on to Kennedy´s assassination, passing through Fritz Lang and Bruce Willis, the memory of the images is fused with our own story, until they cannot be separated.

After returning to her childhood home, Sofia faces the challenge of living day after day, immersed in a vicious circle where the world seems to stop and where the most important thing is to live hedonistically. However, Sofia will sooner or later have to face the real reason that keeps her trapped in her own life, escaping the conflict that she does not want to face.

After returning to her childhood home, Sofia faces the challenge of living day after day, immersed in a vicious circle where the world seems to stop and where the most important thing is to live hedonistically. However, Sofia will sooner or later have to face the real reason that keeps her trapped in her own life, escaping the conflict that she does not want to face.