Edyr Duqui

À une époque lourde de censure et de répression, celle de la Dictature militaire au Brésil (1964-1985), les « Dzi Croquettes », une troupe de théâtre pas comme les autres, révolutionne radicalement le monde du spectacle. Intelligent, drôle, subversif, un groupe d’artistes et danseurs hors paires se déchaine sur scène, faisant foi d’une inaliénable liberté. Forcés à s’exiler à Paris, les inclassables Dzi Croquettes continuent à fasciner par leur mise en scène aussi délurée que construite où se mêlent androgynie, poésie et humour.

This is the story of Vicente, a successful, married, economist with a nine-year-old son. It also tells the story of Antônio, the same man, living as a hugadores—one of the homeless, trash scavengers who live and work in Brazil’s enormous garbage dumps. Vicente seems to have it all, but as we watch his life begins to crumble little by little. Meanwhile, Antônio, already at rock bottom, struggles to rebuild his life.

The synopsis was loosely inspired by an argument by Paulo José called Cidade das Formigas. It was based on what happened in the city of Formiga, in Minas Gerais, where women work for large clothing manufacturers in the country. In Formiga Real, women guarantee a large part of their families' livelihood with this work.

Monarchists and republicans meet in Araruna, a small fictional town in the interior of São Paulo, in 1886. The novel portrays the love story of the beautiful and wealthy Sinhá Moça - daughter of the slave, Barão Ferreira de Araruna, and sweet and submissive Mother Candida - , with the young abolitionist lawyer Dr. Rodolfo Fontes - son of Dr. Fontes, and the housewife Inêz. Together, they face the difficulties in the campaign for the abolition of slaves.