Daiana González

An essay on the existential actuality of the human being located in the Argentinean here and now. A history of singularities, which are mostly traversed by violence and marginality.

In Exomologesis, the filmmaker and poet César González set out to show the consequences of a society governed by obedience and the consequences of this in times of neoliberalism. Unlike his previous films, in color and with many scenes shot outdoors, this is a black and white film that takes place in a two-room apartment, which allows us to see that an office can also be a closed institution.

It is the story of "Pato" (Topa) and Pirucha (Muni), who together with a famous music group called La Pandilla de Sol, join forces to save the children of the "Home at the End of the World" from eviction. The film will advance through adventures, songs and stories until reaching an emotional, surprising and spectacular ending.