Joe Furtner

Shortly after being demobilized, Georges Duroy becomes aware of his power over women in the arms of Rachel, a young singer. Thanks to his good looks and his charming manners and his unabashed cynicism he will rapidly rise to the top by courtesy of women women (Mme Walter, Clotilde, Madeleine), from journalist to member of Parliament to cabinet minister. But it is also the fair sex that will cause his fall in the end.

The daydreaming tailor Wenzel is fired from his job, because the fancy frock he was supposed to cut for the mayor, he instead made for himself. He is allowed, however, to take the frock, which he appropriated for himself and he puts it on as he leaves the shop. A puppeteer picks him up in his coach and addresses Wenzel as "Count". So is he received in Goldach, where people think he is Count Stroganoff, the ambassador to the Czar of Russia.

La princesse d'un royaume imaginaire est choisie pour être à la tête d'un régiment de hussards.

Long before he played the corpulent Goldfinger, German actor Gert Froebe was a scarecrow-skinny comedian. In Berliner Ballade, Froebe makes his screen debut as Otto, a feckless Everyman who tries to adjust to the postwar travails of his defeated nation. Stymied by black-market profiteers and government bureaucrats, Otto begins fantasizing about a happier life at the end of that ever-elusive rainbow. Director R. A. Stemmle doesn't have to strive for pathos: he merely places his gangly star amidst the ruins of a bombed-out Berlin, and the point is made for him. Filmed in 1948, Berliner Ballade was later released in the U.S. as The Berliner.