Walter Varndal

A comedy directed by Hermann Kugelstadt.

Une princesse autrichienne, en exil pour « indiscrétions scandaleuses », se moque du désir de sa mère, une comtesse autoritaire, de la voir épouser un prince. L'élu de son coeur n'est pas une tête couronnée, mais un ingénieur des mines américain, également apprécié par son père, un aristocrate très libéral...

The son of an Argentine chemist travels to Vienna, to solve the murder of his father. Step by step, he realizes that his father was internationally entangled in secret service machinations and chemical weapon sales, and ends up in mortal danger himself. Meanwhile, he also realizes that there is no connection between his father's murderess and those dubious activities. Her motive for killing him goes back much futher, to a court hearing during the Third Reich...

A short comedy directed by Kurt Nachmann.

a silent movie by Robert Wiene

After the theft of a priceless Van Gogh from a Parisian museum, Maigret follows his chief suspect to Lausanne where the suspect is found murdered.

Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home

This movie takes place during the premiere of Mozart's Die Zauberfloete (The Magic Flute). Not really depicting his entire life and loves, much of this is fictionalized scatology. Although not without basis in fact, Mozart has attained a somewhat colorful reputation and this is really just more of the same. The music is a joy, but the movie bogs down in titillation. Mozart's last days were lived in poverty and disgrace--stemming chiefly from his embracing of the Freemason stance, which was essentially a heresy in Austria and the rest of Europe at that time. None of this is depicted and even a satyr could not sustain the lifestyle Mozart has been portrayed as having here. Still, this is an interesting movie and worth a listen to.

Karl Bockerer is a Viennese original. He survives the ‘great times’ – to his own dismay his birthday is on the same day as the one of the “Führer” – by pretending to be more stupid than he really is, and uncovers, over and over again, the hypocrisy and the uptightness of the epic nonsense in his milieu by means of real and phony naivety. Where Schweijk made a mockery of the ruling system by being a presumptive follower, the Viennese butcher strives against the tide. And he is not alone, has family and friends. His personal braveness protects him neither from the rebellion in his own house, nor from the horrors of total war…