Antoine Tudal

Bob, séducteur impénitent, et Mammouth, son voisin solitaire et encombrant, partent en vacances dans le midi. Ils y retrouvent Viviane, une prof de dessin, et sa copine Ginette. Bob et Ginette ne tardent pas à entretenir une liaison...

Années 1919. Les artistes et leurs mécènes se retrouvent dans les cafés de Montparnasse. Parmi eux, un peintre, Modigliani. Ignoré de ses contemporains, il noie son amertume dans l'alcool et la drogue. Seule Béatrice, une riche Anglaise, parvient à le réconforter. Un jour, à l'atelier, il rencontre Jeanne Hébuterne, une jeune bourgeoise, qui tombe sous son charme. Mais, miné par la tuberculose, le peintre de génie s'approche lentement de sa fin. Un marchand de tableaux, dans les derniers instants de vie de l'artiste, achète à bas prix toutes ses toiles...

Pilote de guerre en Indochine, Pierre croit avoir tué une petite fille en bombardant un village. Quelques années plus tard, sur le quai de la gare de Ville-d'Avray où il accompagne son amie Madeleine, il rencontre Françoise, une fillette de 12 ans, abandonnée par sa mère et que son père a placé dans une institution religieuse. Se faisant passer pour lui, Pierre prend l'habitude de la sortir tous les dimanches. Une tendre et pure amitié s'établit entre eux. Mais les braves gens s'inquiètent...

Georges le Roi est un éternel romantique. Il cumule les boulots comme les conquêtes féminines. Un jour, Sophie Labranche sonne à sa porte pour un sondage d'opinion. Il tombe immédiatement amoureux d'elle. Séduite par lui, autant que par son talent pour deviner les résultats des sondages, elle décide de le faire embaucher dans son agence ...

Rumania's entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.

Rumania's entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.

Paris, 1418. The city is occupied by the Armagnacs, besieged by Philip of Burgundy. Caboche, a butcher's guild member and supporter of the Burgundians, wants to marry a young woman. To do so, he denounces his father, who is soon after murdered. The Grand Conétable of Burgundy also has his eye on Catherine, but will not be able to take her because Duke Philippe has fallen in love with her.

Paris, 1418. The city is occupied by the Armagnacs, besieged by Philip of Burgundy. Caboche, a butcher's guild member and supporter of the Burgundians, wants to marry a young woman. To do so, he denounces his father, who is soon after murdered. The Grand Conétable of Burgundy also has his eye on Catherine, but will not be able to take her because Duke Philippe has fallen in love with her.

Paris, 1418. The city is occupied by the Armagnacs, besieged by Philip of Burgundy. Caboche, a butcher's guild member and supporter of the Burgundians, wants to marry a young woman. To do so, he denounces his father, who is soon after murdered. The Grand Conétable of Burgundy also has his eye on Catherine, but will not be able to take her because Duke Philippe has fallen in love with her.