Wilson Fujinaga

Making a good first impression at a job interview is critical, as Mary well knows. But from the start, fate seems to be working against her. She oversleeps, and has to scramble to get ready. She can’t find a taxi, and has to walk from her hotel to the office. She can’t get into an overly crowded elevator, and has to take the stairs. But despite the setbacks, she manages to make it to the office on time, only to discover that — before she can utter a single syllable — the atmosphere is quite contrary to what one would normally expect. And that atmosphere becomes more bizarre with each passing moment.

Jack Reade is a mild-mannered academic who finally has a chance to publish his own Great American Novel. But just as he thinks his tome will see print, Pete Willoughby, a smug and influential editor, informs Jack that the book will remain locked in publishing purgatory. After an accident befalls Pete, Jack forges a desperate alliance with Carrie Singer, a disgruntled employee who also happens to be the book’s number-one fan. Together, they concoct an insane scheme to cover up Pete’s death and greenlight the book. Unfortunately, the publishing process is chock full of required approvals, and before long, other denizens of Dennison Publishing begin to fall prey to “accidents.”

Making a good first impression at a job interview is critical, as Mary well knows. But from the start, fate seems to be working against her. She oversleeps, and has to scramble to get ready. She can’t find a taxi, and has to walk from her hotel to the office. She can’t get into an overly crowded elevator, and has to take the stairs. But despite the setbacks, she manages to make it to the office on time, only to discover that — before she can utter a single syllable — the atmosphere is quite contrary to what one would normally expect. And that atmosphere becomes more bizarre with each passing moment.