Pepita C. Velázquez

Comedy by Tulio Demicheli about Christmas in June.

Dawn in Madrid. In the Plaza de la Cibeles begins the daily grind. The statue of the goddess, from its source in the center of the square tells the story of a man, petty speculator, owner of an old building that is going to ask Saint Nicholas for his cooperation to make it sink, and thus be able to lift a twelve-story modern building. But the inhabitants of the block have also implored the Saint to prevent this from happening.

There are nearly three dozen major televised, theatrical and cinematic productions paying homage to this revision of the original tale of Don Juan. Playwright José Zorrilla's work, was first written and published in 1844, and it soon became one of the most popular plays of the 19th Century. Spanish Director Alejando Perla's own 1952 cinematic version is probably the best-known of several films made concerning Zorrilla's take on the exploits of the immortal Don Juan-in just a 15 year period, (starting in 1936). His version stands out because it focuses on why Don Juan Tenorio should repent, after reflecting on a hedonistic life of drinking, followed by his enchantment, seduction and ultimate corruption of the innocent and married women he seduced then callously abandoned all throughout Seville.