Dionísio Neto

La prison de Carandiru, à São Paulo, est la plus grande d'Amérique latine. Dans cet endroit surpeuplé et délabré, un célèbre médecin doit mener un programme de prévention contre le sida. Habitué à la médecine haut de gamme, il va devoir apprendre à se débrouiller en se fiant à son instinct. Peu à peu, il découvre les détenus, leur monde à part, leur humanité et leur fabuleuse envie de vivre. A force de contacts et de temps, il gagne leur respect et partage leurs secrets. A travers son regard, c'est toute la tragédie sociale d'un pays qui se révèle, jusqu'au jour du terrible massacre de Carandiru...

Duda, Bebel and Tati are three actresses in love with cinema in São Paulo who decided to put together the play they wrote together. They have it all figured it out but despite their best efforts, the funds for the show don't come and their plans go downhill. In debt, unemployed and at risk of being evicted from their apartment, the three draw inspiration from their favorite movies to find the solution to their problems.

São Paulo, 2007. Santana works as a dogcatcher, picking up stray animals. He is a friendly guy, averse to trouble, who has always kept violence away from the doorsteps of his home. One day, he catches a very big dog in a school. Some days later, comes the animal's owner: Babyface, a sociopath ex-cop. The man is furious, considering his dog to be "kidnapped", and demands immediate restitution of his pet. But the dog is not coming back: according to the law, the animal was put to sleep. In a misunderstanding, Babyface argue with Santana, blaming him for his pet's death. From this moment on, Santana's life will be completely changed.

Aurélia is a young black woman who works at a factory and lives in a working-class neighborhood in São Paulo, whose boyfriend Fábio gets involved with a racist neo-nazi group.

A story about the lies, treachery and vengeance of a middle-class family living on the outskirts of São Paulo. Four characters try desperately to change their lives, but are unable to escape their destiny.

A marginal version of Brecht’s piece, “Baal”.

An innovative telenovela set against the backdrop of the discovery of ancient fossils by a top paleontologist and the invention of futuristic robots by a brilliant scientist.

Donatela and Flora, two friends who became rivals. One of them committed a homicide and pretends to be innocent. There are two versions for the same story. Who, after all, is telling the truth? Donatela or Flora?