Brian Stelter

En 1896, le New York Times adopte le slogan "Toutes les informations se doivent d’être imprimées". Aujourd’hui, Twitter et WikiLeaks bouleversent la diffusion des informations. La multiplication des blogs et la diminution conséquente des achats d’espaces publicitaires menacent la pérennité de la presse écrite. A la une du New York Times, capte l’univers d’un journal qui tente de préserver son avenir. Brûlant d'actualité, ce documentaire pose un regard franc et direct sur une situation inquiétante et s’intéresse aux fondements du journalisme. La presse écrite va-t-elle résister face au rouleau compresseur Internet ?

In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.

Told by the operatives in the rooms where it happened, White With Fear is an explosive deep dive into the decades-long quest by America's conservative political machine to amass power by exploiting racial fault lines and stoking narratives of White victimization.

An investigation into the ongoing threat caused by the phenomenon of “fake news” in the U.S., focusing on the real-life consequences that disinformation, conspiracy theories and false news stories have on the average citizen.

L'acteur d'improvisation et comique Stephen Colbert laisse derrière lui son personnage "The Colbert Report" alors qu'il fait son retour tant attendu à la télévision. En tant qu'hôte de la franchise The Late Show redux - enregistrée au théâtre historique Ed Sullivan à New York - Colbert parle pour la première fois aux acteurs, aux athlètes, aux politiciens, aux bandes dessinées, aux artistes et aux musiciens. Les fans fidèles, cependant, seront également traités avec cohérence car Colbert reste soutenu par de nombreux membres de son équipe d'écriture et numérique de son ancienne entreprise. Jon Batiste, formé à Julliard, est le chef d'orchestre.

Portrait sans concession des coulisses d'une matinale télé aux États-Unis, où l’ego et les ambitions génèrent des tensions au sein de l'équipe. Parmi ces personnes qui aident l'Amérique à se réveiller, deux femmes tentent de tirer leur épingle du jeu dans ce milieu impitoyable.

Seth Meyers, who is "Saturday Night Live’s" longest serving anchor on the show’s wildly popular "Weekend Update," takes over as host of NBC’s "Late Night" — home to A-list celebrity guests, memorable comedy and the best in musical talent. As the Emmy Award-winning head writer for "SNL," Meyers has established a reputation for sharp wit and perfectly timed comedy, and has gained fame for his spot-on jokes and satire. Meyers takes his departure from "SNL" to his new post at "Late Night," as Jimmy Fallon moves to "The Tonight Show".

From New York to Hollywood to Silicon Valley – Brian Stelter brings together all the headlines in the media on Reliable Sources Daily – a new expansion of his nightly e-newsletter, podcast and Sunday show on CNN. He’ll take a critical look at the media, how the news is made and why it matters to you. This show is your most reliable source in the quickly evolving world of media, business and entertainment.

Reliable Sources is a weekly show on CNN, focusing on analysis of the American news media. It was initially created to cover the media's coverage of the Persian Gulf War, but has since also covered the media's coverage of the Valerie Plame affair, the War in Iraq, the outing of Mark Felt as Deep Throat, and many other events and internal media stories. From 1992 to 2009, it was broadcast as a stand-alone program, but on January 18, 2009, Reliable Sources became a segment during CNN's new Sunday morning political program State of the Union with John King, although it remained hosted by Kurtz and retained its timeslot. In January 2010, after John King left the show, Reliable Sources was re-spun off as its own show, moving back one hour in the process.

Portrait sans concession des coulisses d'une matinale télé aux États-Unis, où l’ego et les ambitions génèrent des tensions au sein de l'équipe. Parmi ces personnes qui aident l'Amérique à se réveiller, deux femmes tentent de tirer leur épingle du jeu dans ce milieu impitoyable.