Kenji Nasa

Deux policiers, Numata et Tosuka, infiltrent un repère de trafiquants d'organes. durant l’opération les criminels s’échappent et, alors qu’il abandonne son collègue pour sauver sa propre vie, Numata entend Tosuka hurler...

À notre époque, Denchu Kozo, jeune garçon, sert de tête de Turc à tous les garnements de son âge car il est né avec un poteau électrique dans le dos… Propulsé vingt-cinq années dans le futur, il est recueilli par une femme qui lui explique que des vampires dominent maintenant le monde, tiennent l’humanité survivante en esclavage et qu’il reste le seul espoir… Mais qui peut-elle bien être ?

The psychosexual drama Yoji, What's Wrong With You? examines the identity of women as mothers in Japanese culture, through an Oedipal narrative of a skewed "family romance." When Yoji announces to his mother that he wants her to meet a new girlfriend, the mother's jealousy destroys the relationship. Idemitsu's signature device of using a television monitor within the domestic space works as a powerful metaphor for the ubiquity of the mother in Yoji's psychological life. Idemitsu's melodramas always articulate a double-edged irony: With no identity outside of her maternal role, Yoji's mother fastens onto her son, ultimately destroying him. Yoji himself is seen as emotionally stunted, unable to leave his mother or experience love for any other woman.

Shinko (Karin Aiba) is a high school student from Hamamatsu. Due to university admission pressures, she struggles with her mother. She hasn't really made conversation with her mom in a year. Shinko's friend Misato (Mayuu Kusakari) then recommends to her to join the school's calligraphy club. Shinko is impressed by Teacher Yatsushiro's (Kazuki Namioka) words. Teacher Yatsushiro is the one who takes care of the calligraphy club. Shinko decides to join the calligraphy club.