Orla Long

A Dublin en 1979, Maeve est sur le point de fêter ses 14 ans. L'adolescente est consciente qu'elle atteint là une étape importante de sa vie et de sa féminité. Maeve est fascinée par Brian, un beau garçon de 16 ans qu'elle parvient à séduire. Mais lorsque celui-ci la quitte, Maeve se heurte à l'hostilité de ses trois meilleures amies, Ruth, Claire et Orla, qui lui reprochent de les avoir délaissées...

Endgame tells the story of Hamm, who is reduced to living in one room, in which he sits blind and chair-bound. His only escape from his solitary world is the company of his aging, legless parents, who live in garbage bins, and his shuffling servant, Clov, who is at his beck and call, and who, like a dog, comes when whistled for. The only thing left for Hamm is to wait for the inevitable end. A pinnacle of Beckett’s characteristic raw minimalism, Endgame is a pure and devastating distillation of the human essence in the face of approaching death. “Nothing is funnier than unhappiness” invokes Nell, which summarizes the tragicomic nature of this timeless play.