Aaron Copland

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Aaron Copland: A Self Portrait
1

Aaron Copland: A Self Portrait

Jan 01, 1985

Aaron Copland: A Self Portrait
1985 58 min 1 vues
Copland himself is the key explicator of his own extraordinary musical career, from piano lessons in Brooklyn and study with Nadia Boulanger, a fling as a wild-eyed modernist, and finally to his preeminence in the American musical world. The program features a wealth of Copland music, including ballet sequences with Agnes de Mille dancing in Rodeo and Martha Graham in Appalachian Spring, scenes of Copland conducting, and interviews with Leonard Bernstein and Ned Rorem, who said of Copland, "He invented out of whole cloth what it means to be American." Written by Vivian Perlis and produced by Ruth Leon.
Documentary
Paris: The Luminous Years
5

Paris: The Luminous Years

Dec 14, 2010

Paris: The Luminous Years
2010 116 min 1 vues
A storm of Modernism swept through the art worlds of the West in the early decades of the twentieth century, uprooting centuries of tradition. The epicenter of this storm was Paris, France. For an incandescent moment from 1905 to 1930, Paris was the magnetic center for radical innovation and experiment, and the Mecca for creative talents who would change the course of art throughout the Western world.
Documentary
145 W. 21
1

145 W. 21

Jan 01, 1936

145 W. 21
1936 10 min 1 vues
A romantic pair leaves their flat for a desultory burlesque show and two workmen take advantage of the empty house to pilfer a wallet.
Copland Conducts Copland
1

Copland Conducts Copland

Mar 17, 1976

Copland Conducts Copland
1976 58 min 1 vues
This concert film made in the Dorothy Chandler Pavilion in Los Angeles in 1976 captures a memorable performance conducted by the doyen of American composers, Aaron Copland. It includes some of his greatest and most attractive music, from the patriotic flourish of Fanfare for the Common Man and the spirited orchestral fantasy El Salón México, to the colloquial warmth of his suite from the opera The Tender Land. Of particular importance is the collaboration with the great Benny Goodman in the masterwork he commissioned and premiered, the Clarinet Concerto.
Abstronic
6.6

Abstronic

Jul 01, 1952

Abstronic
1952 6 min 8 vues
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
Animation
Le Poney rouge
5.7

Le Poney rouge

Mar 08, 1949

Le Poney rouge
1949 91 min 17 vues
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
Action
Notre ville
5.7

Notre ville

May 24, 1940

Notre ville
1940 90 min 31 vues
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
Drama
Appalachian Spring
4.9

Appalachian Spring

Jan 01, 1958

Appalachian Spring
1958 32 min 9 vues
A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
Music
Three Installations
4

Three Installations

Feb 01, 1952

Three Installations
1952 22 min 1 vues
Early Lindsay Anderson industrial film promoting Sutcliffe's conveyors. Three different uses of Sutcliffe's conveyor installations.
Documentary
L'étoile du nord
6.1

L'étoile du nord

Nov 04, 1943

L'étoile du nord
1943 108 min 23 vues
Early Lindsay Anderson industrial film promoting Sutcliffe's conveyors. Three different uses of Sutcliffe's conveyor installations.
Drama
The City
5.7

The City

May 26, 1939

The City
1939 44 min 10 vues
A prescient documentary about city planning, which presents idyllic suburbs and nuclear families as a solution to the chaos, poverty and social decay of industrialized inner cities.
Documentary
Dangereuse
6.2

Dangereuse

Dec 23, 1961

Dangereuse
1961 112 min 34 vues
A prescient documentary about city planning, which presents idyllic suburbs and nuclear families as a solution to the chaos, poverty and social decay of industrialized inner cities.
Drama
The Opera House
8.2

The Opera House

Oct 01, 2017

The Opera House
2017 108 min 4 vues
In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.
Documentary