David Ball

Soft Cell's: Non-Stop Exotic Video Show is a collection of promotional films covering the career of British synth-pop duo, Soft Cell. It is a companion release to their debut album, Non-Stop Erotic Cabaret. The collection was originally issued on VHS in 1982 and re-issued on DVD in 2004. The DVD re-issue is slightly edited and removes some scenes and clips.

Soft Cell star in this programme about Eighties pop. Drink, drugs, break-ups and breakdowns rewarded Marc Almond and Dave Ball after they conquered the world with Tainted Love. The duo remember the hits and splits.

The 80s synth-pop originators open Radio 2 in the Park

Recorded live at London's Hammersmith Apollo in November 2021 to celebrate its 40th anniversary; the iconic album 'Non Stop Erotic Cabaret in its entirety plus hits, rarities and new tracks.

Taped during a sold out stop at the Rolling Stone in Milan, Italy

Synth-pop pioneers Soft Cell reunited for one last time at London’s The O2 on Sunday 30th September 2018 – their first UK show for 15 years. Marc Almond and Dave Ball performed together for a one-off show, ‘Say Hello, Wave Goodbye’, as they celebrate their 40th anniversary as a duo with their first UK show since 2003. This was the band’s last EVER show.

A 14-track video compilation featuring songs by the British singer/songwriter Marc Almond as a solo artist and with his partner Dave Ball as the synthpop duo Soft Cell.

Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.

Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.