Louis Devaivre

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Vendetta en Camargue
5

Vendetta en Camargue

Aug 23, 1950
Huguette hérite d'un élevage de taureaux, après le décès de ses parents. Elle doit faire face à deux dangers: le vol du bétail par les romanis et la fureur des gardians qui n'acceptent pas d'être commandés par une femme…
Adventure
Plage privée
7

Plage privée

Jan 01, 1970
Un jeune homme, habitué d'une maison de bains-douches, découvre que le jour de fermeture permet à de riches privilégiés de profiter d'une plage de sable fin en plein Paris. Mais l'intrus est chassé par tous, chiens compris.
Drama
De l'autre côté de l'image
7
Présentant ces huit films, depuis l’initial La Demoiselle et le Violoncelliste (Grand Prix au Festival d’Annecy en 1964) jusqu’à cette onirique Traversée..., en passant par le seul film en prises de vues réelles de l’auteur, Plage privée, ou le remarquable Une bombe par hasard, ce film permet la découverte d’une œuvre majeure et d’un univers infiniment personnel.
Animation
Marie des Isles
2.5

Marie des Isles

Jan 15, 1960
In 1635, Jacques du Parquet, the nephew of the well known explorer Belain d'Esnambic, enters a tavern in Dieppe, and falls in love with the daughter of the bartender, Marie Bonnard. He knows his noble family would disapprove such a marriage; besides, he is nominated for the post of governor in Martinica. He promised never to forget Marie, but as time goes by, she will accept to marry a rich and unscrupulous man, Monsieur de Saint-André. When her husband is appointed to serve in Martinica as General Commissioner, Marie demands to go with him. At her arrival, all sorts of trouble arrive: pirates take action against travelers and goods, rotten deals set the two officers against each other, and finally jealousy settles to make things worse. ~ Written by Artemis-9
Romance
Dimanche
6

Dimanche

Feb 16, 1963
Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)
Documentary
La Malédiction de Belphégor
1
Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)
Horror
Midi minuit
1

Midi minuit

Jun 09, 1970
Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)
Horror
Peau douce sur soie noire
4.6
Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)
Drama
La Rupture
6.1

La Rupture

Aug 26, 1970
Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)
Thriller
Alerte en Méditerranée
6
Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)
Adventure
L'Homme de la Jamaïque
1
Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)
Adventure
Les Deux Gamines
1

Les Deux Gamines

Apr 04, 1951
Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)
Comedy