Margaret Sixel

For 20 years director George Miller fought to unleash the ultimate Mad Max movie - Mad Max: Fury Road. Witness George's journey from the dream of a female warrior to the harsh plains of the Namibian desert to statues of gold in Hollywood, California.

MARY is based on the true life story of Mary MacKillop who in the 1860s began an order of nuns to teach poor Catholic children in rural Australia. When she refused to obey the local Bishop, she was ex-communicated. More than 100 years later, in 1995, she was beatified as Australia's first saint. The film follows her tumultuous journey.

MARY is based on the true life story of Mary MacKillop who in the 1860s began an order of nuns to teach poor Catholic children in rural Australia. When she refused to obey the local Bishop, she was ex-communicated. More than 100 years later, in 1995, she was beatified as Australia's first saint. The film follows her tumultuous journey.

MARY is based on the true life story of Mary MacKillop who in the 1860s began an order of nuns to teach poor Catholic children in rural Australia. When she refused to obey the local Bishop, she was ex-communicated. More than 100 years later, in 1995, she was beatified as Australia's first saint. The film follows her tumultuous journey.

MARY is based on the true life story of Mary MacKillop who in the 1860s began an order of nuns to teach poor Catholic children in rural Australia. When she refused to obey the local Bishop, she was ex-communicated. More than 100 years later, in 1995, she was beatified as Australia's first saint. The film follows her tumultuous journey.

The true story of a half million dollar gold robbery which took place in Perth Western Australia in 1982.

Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories: songs of the land; the bushman; the convicts; the bush-rangers; mates and larrikins; the digger; pommy bashing; the sheilas; gays; the wogs; blackfellas; and urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia."

Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories: songs of the land; the bushman; the convicts; the bush-rangers; mates and larrikins; the digger; pommy bashing; the sheilas; gays; the wogs; blackfellas; and urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia."