Annabel Jankel

A documentary about the making of the live-action Super Mario Bros. movie.

An abstract play of shape, colour and light. Cathy Dennis wears a variety of bright neon bodysuits. Other dancers are covered in paint in varying ways

While trying to expose corruption and greed, television reporter Edison Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.

In order to understand the works and ideas of Karl Marx, this animation takes an ordinary man through several different periods of history, from the cavemen to the philosophers of the world to better comprehend Marx ideals for the proletarian and why the world is an unfair contradiction of all sorts.

In order to understand the works and ideas of Karl Marx, this animation takes an ordinary man through several different periods of history, from the cavemen to the philosophers of the world to better comprehend Marx ideals for the proletarian and why the world is an unfair contradiction of all sorts.

In order to understand the works and ideas of Karl Marx, this animation takes an ordinary man through several different periods of history, from the cavemen to the philosophers of the world to better comprehend Marx ideals for the proletarian and why the world is an unfair contradiction of all sorts.

based on the true story of Freddie Knoller, a young man fleeing Vienna during the rise of Nazi Germany, set in 1940s Paris, unfolding against the vibrant backdrop of Paris' burlesque scene.

Through the Camera Eye is a videocassette/laserdisc release by the Canadian band Rush. It was released in 1985 by PolyGram Records. It contains promotional videos issued for the band's albums Moving Pictures (1981), Signals (1982) and Grace Under Pressure (1984).

Features highlights from the first season of the Channel 4 show LIVE FROM ABBEY ROAD, which saw various musical artists perform live at the legendary Abbey Road Studios. The show took the artists into the hallowed studios, and with the only audience being the TV cameras and technicians, they recorded a selection of songs later broadcast in the twelve hour-long episodes. Augmented with interviews, the shows cut through the normal visual effects and studio trickery to showcase the music itself. The 2-disc DVD brings together some of the best performances from the whole series, along with some additional goodies.

While trying to expose corruption and greed, television reporter Edison Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.

The Max Headroom Show started life in the UK in 1985. The show featured actor Matt Frewer playing the role as computer-generated talk-show host Max Headroom.

Max Headroom is a British-produced American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 1987 to May 1988. The series was based on the Channel 4 British TV pilot produced by Chrysalis, Max Headroom: 20 Minutes into the Future. The series is often mistaken as an American-produced show due to the setting and its use of an almost entirely US cast along with being broadcast in the USA on the ABC network. Cinemax aired the UK pilot followed by a six-week run of highlights from The Max Headroom Show, a music video show where Headroom appears between music videos. ABC took an interest in the pilot and asked Chrysalis/Lakeside to produce the series for US audiences. The show went into production in late 1986 and ran for six episodes in the first season with eight being produced in season two.

The Max Headroom Show started life in the UK in 1985. The show featured actor Matt Frewer playing the role as computer-generated talk-show host Max Headroom.