Kjartan Guðjónsson

No plot found

No plot found

Robert is an important man with big responsibilities. One day he has an accident that blurs the border between the man and the beast within. Robert acts out and suffers the consequences.

An art-house comedy about an ordinary family running the unusual business of elf tourism and spiritual sessions. Their house is built around an elf stone, which is sacred to the wife Lara, who is blessed with a sixth sense. When they get an offer to sell the stone at a high price, her husband Óskar is really tempted.

Lisa wants to take a cruise, hubby Finnbogi schemes to make money. He buys a dilapidated bakery. They get lucky when Karolina, who bakes great cakes, offers to work for them. She's the mother of Marta, head of the area's largest bakery, and the two have quarreled. Marta can't abide mom's rebellion or the rival bakery's success, so she inveigles Finnbogi to invest in porn toys without telling Lisa. Where does he get the cash? From his son Bjartmar, who has promised Russian sailors he'll arrange the purchase of ten Landas. The Russians are coming to collect their cars, Finnbogi hasn't sold a single dildo, hard-bitten Marta plans one more nasty trick. How can Lisa get her cruise?

1999's Áramótaskaup, an annual 50-minute TV movie, satirizing the events of the past year.

Through a series of mishaps Didda loses her need for glasses, and gains the power of superhuman vision. A power that comes to good use when Didda starts trying to find the men who kidnapped her brother and his friend.

Íþróttaálfurinn has managed to change the villagers' negative attitude towards sports, healthy food and all diligence. But when he leaves and the villagers have to manage on their own, they turn out to be very unstable and easily influenced by the criminal Glanni Glæpur, who turns up disguised as a very rich man. In fact, he has stolen the president's car and intends to corrupt the villagers so that he can sell them un-wholesome powder-food and become mayor of the town.

This is the Icelandic equivalent of The Office, with a much more interesting twist: the protagonist is a woman.

When Lára, a journalist on maternity leave finds herself newly single and in deep financial trouble, her outlook is bleak. Enter handsome and notorious businessman Hrafn: aware of her intuitive skills as an investigator, he hires her to prove his innocence in a case involving the murder of a young woman. Lára is saved from her desperate financial situation, but at what cost?