Alona Kimhi

Recently added

Nuits de la terreur
4.1

Nuits de la terreur

Nov 09, 1993
Genie rejoint en Egypte son père archéologue et fervent catholique. Elle va vite se retrouver sous l’emprise de Sabina, bisexuelle, qui, pour parfaire son éducation, va lui remettre l’ouvrage du Marquis de Sade La philosophie dans le boudoir et l’emmener à des soirées où l’on se livre à la drogue et à des orgies. Elle est en réalité tombée dans un piège car ces soirées sont organisées par le descendant du Marquis de Sade, et Genie ressemble étrangement à Madame de Beaumont qui avait été à l’origine de l’emprisonnement du Marquis de Sade. La descendance croit tenir sa vengeance...
Horror
Abba Ganuv
8

Abba Ganuv

Jun 06, 1987
Abba Ganuv is the heart warming story of single father "chiko" Ben David - a struggling sailor and his only son Ben.
Drama
Abba Ganuv 2
1

Abba Ganuv 2

Jun 06, 1989
Abba Ganuv is the heart warming story of single father "chiko" Ben David - a struggling sailor and his only son Ben.
Drama
Himmo Melech Yerushalaim
4.5
Adapted from Yoram Kaniuk's best-selling novel, this heart-rending love story unfolds during the siege of Jerusalem in 1948. A young and beautiful volunteer nurse is drawn to the enigmatic Himmo, a mortally wounded and mutilated soldier who cannot speak or move.
Drama
Streets of Yesterday
7

Streets of Yesterday

May 01, 1989
This is a story of a relationship between three men: Amin, a Palestinian nationalist; Joseph, an Israeli peacenik; and Colonel Shalit, a right-wing Israeli intelligence officer.
Drama
עמוס גוטמן, במאי קולנוע
5
From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.
Documentary