Amos Oz

The film chronicles 2 years in the life of Amos Oz as he meets readers in Israel and around the world, working to promote the Two-State Solution to the Israeli-Palestinian Conflict.

Dernier volet de la trilogie de Claude Lanzmann après «Pourquoi Israël» et «Shoah», «Tsahal» est l'histoire de la longue marche d'Israël vers la paix.

The 1967 'Six-Day' war ended with Israel's decisive victory; conquering Jerusalem, Gaza, Sinai and the West Bank. It is a war portrayed, to this day, as a righteous undertaking - a radiant emblem of Jewish pride. One week after the war, a group of young kibbutzniks, led by renowned author Amos Oz, recorded intimate conversations with soldiers returning from the battlefield. The recording revealed an honest look at the moment Israel turned from David to Goliath. The Israeli army censored the recordings, allowing the kibbutzniks to publish only a fragment of the conversations. 'Censored Voices' reveals the original recordings for the first time.

Le comédien britannique Hugh Bonneville s'est donné pour mission d'en savoir plus sur les événements qui se sont produits durant la dernière semaine de la vie de Jésus, vers 30 de notre ère dans l'ancienne cité de Judée sous occupation romaine. Il tente notamment de répondre à ces interrogations : comment est-il mort ? Pourquoi est-il mort et qui l'a tué ? Il se prépare ainsi à confronter les sources livresques de référence – les évangiles synoptiques de Matthieu, Marc et Luc, et les textes de l'historien Flavius Josèphe - aux dernières avancées de l'archéologie, à l'expertise d'universitaires réputés, ainsi qu'à l'interprétation personnelle du romancier israélien Amos Oz, qui l'accueille chez lui.

Documentary film.

A onetime documentary directed by Moti Kirschenbaum who follows the history and the problems of living in the holy land. Following writer Amos Kenan and songwriter Naomi Shemer, the two discuss the meaning to live in the land of Israel.

Au fil de conversations inédites d’Amos Oz avec sa biographe, de témoignages de ses proches et d’extraits de ses livres, un portrait intime bouleversant du grand écrivain israélien disparu en 2018, qui n’occulte pas ses parts d’ombre. Un an avant sa mort, Amos Oz (1939-2018), se sachant condamné par un cancer, demandait à son amie et biographe Nurith Gertz de ne surtout pas écrire son panégyrique, se déclarant "enfant gâté", "avide d'honneurs", en bref "une mascarade ambulante". Sans réelle coquetterie. Si le film dément ce noir autoportrait, esquissé d'une voix déjà lasse au téléphone par l'écrivain, il n'édulcore pas les ambivalences de son immense sujet. Dévoilant l'homme et ses abyssales fragilités, Yair Qedar retrace avec finesse le destin romanesque d'un des plus grands maîtres du genre.

Based on the novel "Panther in the Basement" by the world-renowned author, Amos Oz, the movie takes place in Palestine in 1947, just a few months before Israel becomes a state. Proffy Liebowitz, a militant yet sensitive eleven year old wants nothing more than for the occupying British to get the hell out of his land.

Seven years after their divorce, Ilana breaks the bitter silence with a letter to Alex, a world-renowned authority on fanaticism, begging for help with their rebellious adolescent son, Boaz. Based on famous Amos Oz novel.

The story is set in Jerusalem in the winter of 1959. Shmuel Ash, a sensitive student who has dropped out of university because his father's finances have collapsed, takes a live-in job as a companion to an elderly, incapacitated man, Gershom Wald, who needs someone to argue with. Wald learns from Shmuel that he has stopped working on his thesis, which dealt with Jewish views on Jesus. The conversation between these two protagonists revolves around the humanity of Jesus. Shmuel tells Wald about his alternative theory on Judas Iscariot: he says he believes Judas was not a traitor at all but, in fact, the truest believer in Jesus's divinity. Furthermore, a relationship develops between Shmuel and Wald's daughter-in-law, Atalia Abravanel, a sensual and mysterious woman. Shmuel falls in love with her in what becomes a tender coming-of-age tale.

The story is set in Jerusalem in the winter of 1959. Shmuel Ash, a sensitive student who has dropped out of university because his father's finances have collapsed, takes a live-in job as a companion to an elderly, incapacitated man, Gershom Wald, who needs someone to argue with. Wald learns from Shmuel that he has stopped working on his thesis, which dealt with Jewish views on Jesus. The conversation between these two protagonists revolves around the humanity of Jesus. Shmuel tells Wald about his alternative theory on Judas Iscariot: he says he believes Judas was not a traitor at all but, in fact, the truest believer in Jesus's divinity. Furthermore, a relationship develops between Shmuel and Wald's daughter-in-law, Atalia Abravanel, a sensual and mysterious woman. Shmuel falls in love with her in what becomes a tender coming-of-age tale.

Based on a novel by Amos Oz. A couple in Jerusalem before the six day war in 1967, fall in love, get married, have a child and drift apart. With Michael away at war, his wife starts fantasizing about twin Arabs she used to play with as a child.

Skavlan is a Norwegian-Swedish television talk show hosted by Norwegian journalist Fredrik Skavlan. It premiered in Sweden on Sveriges Television in January 2009, and the first guests to appear on the show were former Prime Minister of Sweden Göran Persson and his wife Anitra Steen. On 8 May 2009, it was announced that Skavlan had been renewed for a second season. It was also announced that the show would no longer only be produced by SVT in Sweden; Skavlan would now be partly produced in Norway by the Norwegian Broadcasting Corporation. The first twelve episodes of Skavlan's second season were produced by SVT in Sweden, and the remaining twelve by NRK in Norway. Skavlan speaks Norwegian and his dialog is therefore subtitled in Swedish in Sweden, even though the two languages are quite similar and mutually intelligible. If the persons being interviewed by Skavlan are Swedish, he often tells them to let him know if they do not understand what he is saying. Swedish novelist Jan Guillou has criticized SVT for subtitling the program, stating "there is no need for that. If the host had been Danish, subtitling would have been necessary, but with a Norwegian host it does not make any sense."