Nataša Matjašec

A successful stage director plans to put on an outdoor production of a previously unknown play by a famous writer, but is haunted by his past in the form of the actors and crew with whom he has to work.

An 86 year old lady escapes from nursing home, picks up two musicians in the process and they all drive off south to a new life in a Mercedes convertible.

Slovenian actress with the pseudonym Mary comes from a well-to-do bourgeois family. She falls in love with Petar Kocmur, a final-year architecture student. One day she finds a girl in his bed, but she throws herself into the river because nothing in her life makes her happy.

In a small town where everyone knows everybody else, independent researcher Vesna is investigating the death of the director of the local radio station. Although the director evidently committed suicide, Vesna, who has uncovered evidence of a conspiracy, is convinced that he was murdered. When several of the people she has spoken to about the matter find out that the director (Milan) was Vesna's father, they become even more withdrawn about the matter. Will Vesna succeed in unraveling the mystery--despite the many warnings that she should stop trying to uncover the truth?

By a twist of fate, Damjan is mistaken for a murderer who was prowling the streets of Ljubljana in the same neighbourhood. Because of his naive, friendly approach and helpfulness, his wife walks out on him and the police have doubts about his sanity. Is Damjan really losing his memory like his father did before him? And does purity of mind and spirit necessarily lead to a person's downfall? Will Damjan, who is mysteriously attracted and connected to the cinema and who finds himself drawn into a case of mistaken identity (just like in the movies) succeed in setting his life in order in spite of the mix-up and in finding the right companion for himself?

Taking inspiration from the history of conflict throughout Eastern Europe, Echoes Of Time examines the concept of the illusion of freedom.

Humans' biggest delusion is their illusion of freedom. Newborns have no choice, they are brought into this world regardless of their will, groomed as utterly powerless beings to submit to the social norms imposed by those in the position of power - But what if there is an alternative?

In a dystopian future, Matja and his family face an unresolved tragedy. Despite losing his faith and struggling to find his true self, the dawn breaks over the valley, revealing that the only way to deal with trauma and evil is to face them head-on.

Breza, a country boy from a godforsaken Prekmurje village, wishes to perform at the village festivities playing his electric guitar, but is faced with fierce competition in the form of a traditional Roma band entertaining the villagers by playing popular folk music. Nevertheless, his music seems to be the key to the heart of Silvija, a village beauty and the daughter of a wealthy gastarbeiter from Switzerland, who was sent home to find a healthy Slovene husband. However, the story of Breza and Silvija only marks the beginning of the plot whose main character is actually Düplin, an eccentric outsider, a deaf-and-dumb tramp or, as Breza's mother, the old Popovka, a farm owner and a fortune-teller also referred to as Strina, called him "a lad from a citrus producing country".

A man. A woman. A chick. Three stories. One indeed.