Eduard Wesener

An overzealous usher caught between the fronts of two other litigants against ever-girlfriends. - Humor comedy Viennese provenance with a starring role for Hans Moser.

A young actress places a misleading newspaper ad: "Hans, come back! Am so lonely and unhappy!" As a result, she is besieged by a crowd of unmarried cavaliers, all pretending to be her Hans.

Paul Beckers plays a circus performer who is mistaken for the teacher of a girls' school at his job interview.

Le Dr Mabuse dirige, de l'asile psychiatrique où il est interné, un gang de malfaiteurs et le docteur Baum, directeur de l'établissement, grâce à ses pouvoirs hypnotiques. Le commissaire Karl Lehmann et le bandit repenti Kent parviendront après nombre de rebondissements à démanteler le réseau.

a movie by Heinz Paul

Vienna, Austria, late 1870s. After suffering an irreparable misfortune, the Austrian composer Johann Strauss Jr. (1825-99), the Waltz King, falls in love with a ballet dancer, which disappoints the famous operetta singer Marie Geistinger…

A Bavarian baron has invited his three illegitimate children to come on a visit. Suddenly, happiness can be seen in this house only recently cut off from the rest of the world. The baron is happy. When two of the children have to leave because of their duties back home, only the daughter stays behind, determined to cure the baron of his quirks.

Considering Germany's own treatment of Poland in 1939, it is ironic in the extreme that the 1938 German film Um Freiheit und Liebe (For Freedom and Love) is a celebration of Poland's declaration of independence from Russia. Werner Hinz plays Konrad, an idealistic Polish student who courts disaster for his loved ones through his constant harrangues against Russian impression. When his mother promises the authorities that Konrad will cease his protests, he is honor bound to obey her, no matter what the provocation. Drowning his disappointment in liquor, Konrad falls in love with nightclub singer Anna Sasotska (Viktoria von Ballasko). While he never achieves his political goals, Konrad at least finds happiness romantically. The climax of the film is particularly exciting, even though it is motivated by anti-Russian (and implicitly pro-Nazi) propaganda.