Patricia Koch

Sur le bord d’une route, Eva (Marina Anna Eich) ramasse une jeune motarde en panne et la dépose à une station-service. De retour dans le luxueux hôtel tenu par son père, Eva s'aperçoit que sa passagère a oublié un sac dans sa voiture et fouille ce qui va se révéler être une boîte de Pandore : elle y découvre en effet un curieux attirail fait de cuir et de chaînes, ainsi qu’une carte de visite. Eva est sur le point de pénétrer dans l’univers de Magdalena (Mira Gittner, aussi co-scénariste du film), alias Lady Maria, maîtresse SM. Une Eve, une Marie/Madeleine… Il n’y a guère que Lilith qui manque à l’appel ! Et si les personnages portent des prénoms bibliques, c’est qu’ils ont leur chemin de croix à effectuer –même si ce qui est célébré ici est bien la « passion de la vie » et non l’agonisante Passion du Christ… Encore que ?

Three women - no moral. Morality is the excuse for those who don't dare to live their truth.Michaela, Gabriela and Lucy are angels of vice. On their motorbikes they ride through the countryside to live their pleasure. They could see a lot, but only see themselves. They call themselves angels but they are angels with dirty wings. To be a full member in the exile paradise of angels, Lucy has to prove herself and stand the tests. The new film of Roland Reber and Mira Gittner is an anthem of immorality. A holy song of egoism and a painful study about our time and a generation who rent their feelings.

Christiane Raetsch (Mira Gittner) and Sandra Wolf (Marina Anna Eich) write a book about the “world of magic”. At an esoteric summer workshop, they meet three other women and decide to work together on the project, with each woman delving into a special area: shamanism, witchcraft, ritual magic, sexual magic, geomancy. They all try to influence reality through magical rituals and to handle their lives with esoteric practices. Christiane, the shaman, tries to find answers with psycho active drugs in the mist of other dimensions. Sandra, the witch, is searching for the man of her life, but the tarot cards always say “no” to the men she meets. A crazy comedy which spares no aspect of the “magical sciences”. A mean side blow to all hobby esoterics, who go to a workshop on the weekend and explain the world on the next day. But Magic always goes its own ways.

What does life taste of? For joyful Nikki the answer is clear: of pleasure. Delightfully she enjoys this at every possible occasion, as she drives through the country looking for people and their stories for her video-blog.

Two women kidnapped, chained in abandoned basement. Captor tortures them, plans release date revealed. Need for escalating cruelty. Captor's partner arrives, new demands made, situation intensifies.

ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea

What happens when seven women meet in one place for a week? Refreshingly unorthodox, THERE IS A HAUSEN EVERYWHERE addresses the fundamental questions of the present. Can we accept other people as they are and as they live? What is perception and what is reality? And when we talk about truth, what do we mean? In this comedy that plays with the absurdities of everyday life, the seminar community in Hausen becomes a microcosmic image of society.