Apichatpong Weerasethakul

Recently added

昨天
6.3

昨天

Oct 04, 2013
A contemplative trip down memory lane with one of the leading voices of the Second New Wave of Taiwanese Cinema. Saw Tiong Guan clearly established a very personal bond with his subject, and also found many of Tsai Ming-liang’s colleagues prepared to complete this portrait of a quiet yet outspoken artist.
Documentary
회(回)
1

회(回)

Jan 01, 1998
This film is a Movies strip that consists of 365 frames. The actor is actually moving in one direction but appears to swing like a pendulum on the screen. Sporadic booms of the soundtrack reveal the relationship between the human pendulum movement, the rhythm of the soundtrack and its perforations, and the object split into individual frames.
Mekong Hotel
5.4

Mekong Hotel

Jul 27, 2012
Mekong Hotel est le portrait d’un hôtel situé en bordure du Mekong, dans le Nord-Est de la Thaïlande. Le fleuve marque la frontière entre la Thaïlande et le Laos. Dans les chambres et sur les terrasses, Apichatpong et son équipe s’affairent au tournage d’Ecstasy Garden, un film écrit par le cinéaste plusieurs années auparavant. Le film, qui se déroule à travers divers royaumes, entre réalité et fiction, présente les liens qui unissent une mère-vampire et sa fille, deux jeunes amants et le fleuve.
Drama
The Legend of the Palme d'Or
6
De Martin Scorsese à Jane Campion, d'Emir Kusturica à Quentin Tarantino, certains des plus grands récipiendaires de ce trophée se souviennent de moments particuliers liés à la cérémonie de remise des prix qui clôture le Festival de Cannes. Ce film met en lumière des histoires émouvantes et personnelles, aussi surprenantes que variées, qui contribuent toutes à enrichir encore la légende de la Palme d'Or.
Documentary
Behind the Blur
4

Behind the Blur

Jan 01, 2009
An insightful documentary about Thai cinema, which features a colourful and long running film history, yet struggles as the industry attempts to move forward. This film examines the past and focuses on the Thai New Wave since 1997 by combining film clips, and interviews from Thai directors and others artists, like Asian hip-hop sensation Thaitanium, who are trying to create a more personal style of art.
Documentary
Goh gayasit
6.6

Goh gayasit

Oct 01, 1999
A depiction of the landscape, both metaphorically and realistically, of Panyi island. Some footage in the film was taken from the material shot for Mysterious Object at Noon
Cinema Futures
6.2

Cinema Futures

Sep 02, 2016
La « révolution numérique » a atteint le cinéma tardivement et a été principalement qualifiée d'avancée technologique. Aujourd'hui, à une époque où les bandes de celluloïd analogiques disparaissent et compte tenu de la diversité des formats d'images animées numériques, l'enjeu est bien plus important : les archives cinématographiques du monde sont-elles au bord d'un âge sombre ? Sommes-nous confrontés à la perte massive de la mémoire audiovisuelle collective ? Le cinéma est-il en train de mourir ou simplement de changer ? La caméra du réalisateur se rend dans des lieux internationaux et, avec des cinéastes renommés, des conservateurs de musées, des historiens et des ingénieurs, dramatise l'avenir du film et du cinéma à l'ère des images animées numériques.
Documentary
토니 레인즈와 한국영화 25년
1
Prominent film critic Tony Rayns has long been a supporter of Korean cinema. This film illustrates Rayns’ affection for Korean cinema through interviews of Korean cineastes that have a special affinity for him, including JANG Sun-woo, LEE Chang-dong and HONG Sang-soo among others.
Documentary
Wiara
1

Wiara

Jan 14, 2018
Six authorities of cinema describe their approach to transcendence, mysticism, spirituality and life after dead.
Documentary
Camino incierto
1

Camino incierto

Oct 26, 2021
Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema.
Documentary
Le bureau qui avait peur
1
Apichatpong Weerasethakul répond à la commande du Centre Pompidou et met en scène son bureau, son environnement de travail, ses gestes de recherche et de création. Le bureau qui avait peur déploie alors une exégèse de quelques vers du poète thaïlandais contemporain Uten Mahamid et la façon dont le cinéaste et artiste s’en nourrit, ainsi que d’autres œuvres, pour donner naissance à une œuvre fictionnelle.
Empire
1

Empire

Sep 01, 2010
Initially a deep-sea diver is shown exploring a cave. Then a hand as shown handling a gastropod shell.
Tropical Malady
6.8

Tropical Malady

Jun 24, 2004
Initially a deep-sea diver is shown exploring a cave. Then a hand as shown handling a gastropod shell.
Drama
Tropical Malady
6.8

Tropical Malady

Jun 24, 2004
Initially a deep-sea diver is shown exploring a cave. Then a hand as shown handling a gastropod shell.
Drama
Blissfully Yours
6.6

Blissfully Yours

Oct 08, 2002
Initially a deep-sea diver is shown exploring a cave. Then a hand as shown handling a gastropod shell.
Drama
ผีนาบัว
5.9

ผีนาบัว

Sep 10, 2009
The story based on the mysterious portrait of the town of Nabua in northeastern Thailand. Soon after nightfall when the crepuscular violets concede to blackness, the wind's rustling intensifies and the boys come out to play.
Mystery
หัวใจทรนง
5.1
A gang of local thugs come in and start roughing up the customers and get abusive with the daughter. Suddenly, an elaborately coifed and tastefully dressed woman shows up and rescues the young woman and her father from further harm. This is Iron Pussy.
Comedy
Mysterious Object at Noon
6.4
A gang of local thugs come in and start roughing up the customers and get abusive with the daughter. Suddenly, an elaborately coifed and tastefully dressed woman shows up and rescues the young woman and her father from further harm. This is Iron Pussy.
Documentary
Memoria
6.052

Memoria

Sep 30, 2021
A filmmaker captures images that characterize the violence and repression as well as the hope of rebirth and remembrance in northeastern Thailand.
Drama
Goh gayasit
6.6

Goh gayasit

Oct 01, 1999
A depiction of the landscape, both metaphorically and realistically, of Panyi island. Some footage in the film was taken from the material shot for Mysterious Object at Noon
Haiku
4.1

Haiku

Jan 01, 2009
In this video diary, Weerasethakul documents the set of Primitive Project in Nabua, Thailand, particularly the scene when teenagers are hypnotized and sleep inside a time machine.
Worldly Desires
5.5

Worldly Desires

Apr 23, 2005
One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul
Drama
Mekong Hotel
5.4

Mekong Hotel

Jul 27, 2012
One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul
Drama
Mekong Hotel
5.4

Mekong Hotel

Jul 27, 2012
One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul
Drama
L'État du monde
5.3

L'État du monde

Jun 16, 2007
One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul
Documentary
Ashes
5.4

Ashes

May 19, 2012
In collaboration with Lomo, an Austrian camera company, and Mubi, a global film website, Weerasethakul was invited to make a work to launch the new LomoKino, a portable motion picture camera. Ashes juxtaposes the intimacy of his daily routine with the destruction of memories and his observations of the dark side of Thailand’s social realities.
Documentary
Ashes
5.4

Ashes

May 19, 2012
In collaboration with Lomo, an Austrian camera company, and Mubi, a global film website, Weerasethakul was invited to make a work to launch the new LomoKino, a portable motion picture camera. Ashes juxtaposes the intimacy of his daily routine with the destruction of memories and his observations of the dark side of Thailand’s social realities.
Documentary
Mysterious Object at Noon
6.4
In collaboration with Lomo, an Austrian camera company, and Mubi, a global film website, Weerasethakul was invited to make a work to launch the new LomoKino, a portable motion picture camera. Ashes juxtaposes the intimacy of his daily routine with the destruction of memories and his observations of the dark side of Thailand’s social realities.
Documentary
Diseases and a Hundred Year Period
1
In collaboration with Lomo, an Austrian camera company, and Mubi, a global film website, Weerasethakul was invited to make a work to launch the new LomoKino, a portable motion picture camera. Ashes juxtaposes the intimacy of his daily routine with the destruction of memories and his observations of the dark side of Thailand’s social realities.
Drama
M Hotel
4.7

M Hotel

Apr 08, 2011
a film by Apichatpong Weerasethakul
Luminous People
1

Luminous People

May 23, 2007
A group of people is in a boat traveling along Mekong River that stretches along the Thai-Laos border. They are running against the wind, anticipating a farewell. In the middle of the river, the lady head of the family casts the ashes off into the stream. The white dust merges with the muddy water. The boat makes a u-turn at the bridge that links two countries. The passengers are tired and start to drift off into their own world. The film disintegrates. The crew and the cast wander off in the river of simulation. The border links the worlds of the dead and of the living. The memory of an anonymous dead father lingers. The boat still moves on as the dusk arrives. Apichatpong and his crew traveled to Nong Khai, a small town near Mekong River, and recruited local villagers to participate in the project. For two days, the crew and cast reconstructed a fake ceremony and find a narrative.
Documentary
Mobile Men
6

Mobile Men

Oct 22, 2008
A joyful shot recorded by Weerasethakul himself and two young men who become acquainted by filming each other in the back of a moving pickup truck. Though seemingly playful, the short film is a subtle portrait of migrant workers in the north of Thailand.
Documentary
The Anthem
5.5

The Anthem

Oct 12, 2006
One of the ingrained rituals in Thai society is the blessing automatically given before certain ceremonies and events such as the playing of the Royal Anthem in movie theaters before feature presentations. This short presents a "Cinema Anthem" which comically praises and blesses the feature to come.
Documentary
Untitled
7

Untitled

Jul 31, 2019
Apichatpong Weerasethakul's submission to 30/30 Vision.
I'm Still Breathing
1

I'm Still Breathing

Jan 01, 2009
A Thai band, Modern Dog, was invited to Nabua for the making of a music video for one of their songs, I’m Still Breathing. The teens are together in the village street and start to run, some of them kicking the smoking balls and throwing them into the moving crowd. The video is a celebration of exaltation and the release of tension, echoing Thailand’s political atmosphere.
Sakda (Rousseau)
6

Sakda (Rousseau)

Aug 04, 2012
A Thai band, Modern Dog, was invited to Nabua for the making of a music video for one of their songs, I’m Still Breathing. The teens are together in the village street and start to run, some of them kicking the smoking balls and throwing them into the moving crowd. The video is a celebration of exaltation and the release of tension, echoing Thailand’s political atmosphere.
หมอกแม่ริม
6
The clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies, infecting everything with the fever of white stupor.
Mystery
Nitrate: To the Ghosts of the 75 Lost Philippine Silent Films (1912-1933)
9.5
Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. What is the numerological significance? Too late. Never too late.
Documentary
Cemetery of Splendour
5.9

Cemetery of Splendour

Sep 02, 2015
Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. What is the numerological significance? Too late. Never too late.
Drama
Venice 70: Future Reloaded
5.1
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Drama
Stories on Human Rights
2.7
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Romance
2019
1

2019

Feb 13, 2019
A short for his website, Kickthemachine
Rolling
6

Rolling

Jan 02, 2015
Dreams, travels, places, people.
Fantasy
Rolling
6

Rolling

Jan 02, 2015
Dreams, travels, places, people.
Fantasy
Jenjira, Death
1

Jenjira, Death

Jan 01, 1970
Jenjira Pongpas-Widner describes a dream in which she discovers her lifeless body in a field.
Decameron
6.5

Decameron

Aug 01, 2020
Decameron was shot in lockdown during the Thai monsoon season, in 2020. In a dark room, a woman removes insects from a mosquito net in order to cook them. The moving light she holds briefly reveals her face, the transparent panel of the mosquito net and the insects left outside of it.
Sakda, Somchai
1

Sakda, Somchai

Jan 01, 2018
Sakda Kaewbuadee (Tong) describes a dream in which he and his friend Somchai are in room filled with massive collection of books.
Home
7.7

Home

Jan 01, 1970
Home is a portrait of Apichatpong Weerasethakul’s house in Chiang Mai, during monsoon season.
Sarit
1

Sarit

Jan 01, 1970
The bas-relief represents Sarit Thanarat, former Thai prime minister who ruled Thailand in the early 1960s. This wall is also located next to a statue of Sarit, in the city of Khon Kaen, where Apichatpong Weerasethakul grew up. The artist represented Sarit Thanarat in various artworks, calling into question the value of his sculpture as an object of worship and as a glorification of the role of the army in Thai politics. For Apichatpong Weerasethakul, Sarit was a product of American involvement during the Cold War and an archetype of generals of the army who subsequently took power through coups d’état, including the most recent in 2014.
Durmiente
1

Durmiente

Nov 10, 2022
Durmiente shows Tilda Swinton, the lead actress of Memoria, sleeping in a bedroom as the shadows grow longer.
Morakot
8

Morakot

Oct 27, 2007
Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.
Documentary
Morakot
8

Morakot

Oct 27, 2007
Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.
Documentary
Morakot
8

Morakot

Oct 27, 2007
Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.
Documentary
Home
1

Home

Jan 01, 2018
Documentary
Fireworks (Archives)
1

Fireworks (Archives)

May 17, 2014
This film depicts Bunleua Sulilat’s temple/sculpture garden 'Sala Keoku', located in northern Thailand. Passages of blackness sporadically dissolve under the fitful internal illumination of sparklers, which light up to reveal Sulilat’s unorthodox temple populated with a fantastical concrete menagerie of beasts and figures; the sculptures range from the broad, whale-like contours of a frog’s face, to a cavalcade of dogs on mopeds, to a pair of skeletons partially embracing as if sitting for a double portrait. These images are interspersed with those of an older Thai couple mysteriously wandering around the temple like wraiths, the woman’s plodding progress hampered by the use of crutches.
Fireworks (Archives)
1

Fireworks (Archives)

May 17, 2014
This film depicts Bunleua Sulilat’s temple/sculpture garden 'Sala Keoku', located in northern Thailand. Passages of blackness sporadically dissolve under the fitful internal illumination of sparklers, which light up to reveal Sulilat’s unorthodox temple populated with a fantastical concrete menagerie of beasts and figures; the sculptures range from the broad, whale-like contours of a frog’s face, to a cavalcade of dogs on mopeds, to a pair of skeletons partially embracing as if sitting for a double portrait. These images are interspersed with those of an older Thai couple mysteriously wandering around the temple like wraiths, the woman’s plodding progress hampered by the use of crutches.
Fireworks (Archives)
1

Fireworks (Archives)

May 17, 2014
This film depicts Bunleua Sulilat’s temple/sculpture garden 'Sala Keoku', located in northern Thailand. Passages of blackness sporadically dissolve under the fitful internal illumination of sparklers, which light up to reveal Sulilat’s unorthodox temple populated with a fantastical concrete menagerie of beasts and figures; the sculptures range from the broad, whale-like contours of a frog’s face, to a cavalcade of dogs on mopeds, to a pair of skeletons partially embracing as if sitting for a double portrait. These images are interspersed with those of an older Thai couple mysteriously wandering around the temple like wraiths, the woman’s plodding progress hampered by the use of crutches.
Trailer for CinDi
1

Trailer for CinDi

Aug 01, 2011
The official trailer for the 2011 CinDi FIlm Festival. An intimate choreography blurs the boundaries between stage curtain and screen.
หมอกแม่ริม
6
The clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies, infecting everything with the fever of white stupor.
Mystery
Father
1

Father

Jan 01, 2001
The clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies, infecting everything with the fever of white stupor.
Fan Dog
3

Fan Dog

Jan 10, 2016
For a Fiery Monkey Year.
Family
My Mother’s Garden
1

My Mother’s Garden

Feb 27, 2007
Glistening objects from a jewelry collection inspired by carnivorous plants are transformed into a colourful sea of garden creatures through hand-drawn animations of roots, insects and various other organisms. A loving tribute to Weerasethakul's mother's garden. Commissioned by Dior; first presented at Musée de l’Orangerie, Jardin des Tuileries, Paris, to mark the opening of a new set of jewellery designed by Victoire de Castellane, 27 February 2007.
Haunted Houses
1

Haunted Houses

Sep 21, 2001
A collaboration with a group of villagers on the periphery of Khon Kaen province in the northeast of Thailand, recording them as they agree to take turns to act scenes scripted from two episodes of the TV series 'Tong Prakaisad', a rags-to-riches TV soap, in the familiar surrounding of their homes.
Drama
Mae ya nang
1

Mae ya nang

Jan 01, 1994
A short documentary by Apichatpong Weerasethakul about lives connected by radio.
Documentary
My Mother’s Garden
1

My Mother’s Garden

Feb 27, 2007
Glistening objects from a jewelry collection inspired by carnivorous plants are transformed into a colourful sea of garden creatures through hand-drawn animations of roots, insects and various other organisms. A loving tribute to Weerasethakul's mother's garden. Commissioned by Dior; first presented at Musée de l’Orangerie, Jardin des Tuileries, Paris, to mark the opening of a new set of jewellery designed by Victoire de Castellane, 27 February 2007.
Haunted Houses
1

Haunted Houses

Sep 21, 2001
A collaboration with a group of villagers on the periphery of Khon Kaen province in the northeast of Thailand, recording them as they agree to take turns to act scenes scripted from two episodes of the TV series 'Tong Prakaisad', a rags-to-riches TV soap, in the familiar surrounding of their homes.
Drama
Mae ya nang
1

Mae ya nang

Jan 01, 1994
A short documentary by Apichatpong Weerasethakul about lives connected by radio.
Documentary
0116643225059
1

0116643225059

Jan 01, 1994
0116643225059 is an early experimental film by Weerasethakul made during his time at SAIC. The work is about a long-distance telephone conversation between the filmmaker and his beloved mother in Khon Kaen, Thailand. Weerasethakul superimposed a photograph of his mother in her youth alongside his own image and his apartment in Chicago. It renders a strong bond between the artist and his family.
Morakot
8

Morakot

Oct 27, 2007
Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.
Documentary
Worldly Desires
5.5

Worldly Desires

Apr 23, 2005
One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul
Drama
Mobile Men
6

Mobile Men

Oct 22, 2008
A joyful shot recorded by Weerasethakul himself and two young men who become acquainted by filming each other in the back of a moving pickup truck. Though seemingly playful, the short film is a subtle portrait of migrant workers in the north of Thailand.
Documentary
Goh gayasit
6.6

Goh gayasit

Oct 01, 1999
A depiction of the landscape, both metaphorically and realistically, of Panyi island. Some footage in the film was taken from the material shot for Mysterious Object at Noon
My Mother’s Garden
1

My Mother’s Garden

Feb 27, 2007
Glistening objects from a jewelry collection inspired by carnivorous plants are transformed into a colourful sea of garden creatures through hand-drawn animations of roots, insects and various other organisms. A loving tribute to Weerasethakul's mother's garden. Commissioned by Dior; first presented at Musée de l’Orangerie, Jardin des Tuileries, Paris, to mark the opening of a new set of jewellery designed by Victoire de Castellane, 27 February 2007.
Mobile Men
6

Mobile Men

Oct 22, 2008
A joyful shot recorded by Weerasethakul himself and two young men who become acquainted by filming each other in the back of a moving pickup truck. Though seemingly playful, the short film is a subtle portrait of migrant workers in the north of Thailand.
Documentary
Goh gayasit
6.6

Goh gayasit

Oct 01, 1999
A depiction of the landscape, both metaphorically and realistically, of Panyi island. Some footage in the film was taken from the material shot for Mysterious Object at Noon
Worldly Desires
5.5

Worldly Desires

Apr 23, 2005
One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul
Drama
0116643225059
1

0116643225059

Jan 01, 1994
0116643225059 is an early experimental film by Weerasethakul made during his time at SAIC. The work is about a long-distance telephone conversation between the filmmaker and his beloved mother in Khon Kaen, Thailand. Weerasethakul superimposed a photograph of his mother in her youth alongside his own image and his apartment in Chicago. It renders a strong bond between the artist and his family.
0116643225059
1

0116643225059

Jan 01, 1994
0116643225059 is an early experimental film by Weerasethakul made during his time at SAIC. The work is about a long-distance telephone conversation between the filmmaker and his beloved mother in Khon Kaen, Thailand. Weerasethakul superimposed a photograph of his mother in her youth alongside his own image and his apartment in Chicago. It renders a strong bond between the artist and his family.
Windows
1

Windows

Jan 01, 1999
Windows is Weerasethakul’s first work in video. It is an improvisational piece using little physical movement to capture the “natural phenomena” occurring between the video camera, television screen, and window.
Windows
1

Windows

Jan 01, 1999
Windows is Weerasethakul’s first work in video. It is an improvisational piece using little physical movement to capture the “natural phenomena” occurring between the video camera, television screen, and window.
Haunted Houses
1

Haunted Houses

Sep 21, 2001
A collaboration with a group of villagers on the periphery of Khon Kaen province in the northeast of Thailand, recording them as they agree to take turns to act scenes scripted from two episodes of the TV series 'Tong Prakaisad', a rags-to-riches TV soap, in the familiar surrounding of their homes.
Drama
Mae ya nang
1

Mae ya nang

Jan 01, 1994
A short documentary by Apichatpong Weerasethakul about lives connected by radio.
Documentary
Windows
1

Windows

Jan 01, 1999
Windows is Weerasethakul’s first work in video. It is an improvisational piece using little physical movement to capture the “natural phenomena” occurring between the video camera, television screen, and window.
Nimit
1

Nimit

Dec 05, 2007
Made for 'Short Films for the King Bhumibol Adulyadej's 80th Birthday', 2007.
Ghost of Asia
1

Ghost of Asia

Oct 20, 2005
Taking the recent tsunami in Asia as its starting point, the filmmakers have used the idea of a ghost seen wandering along the rocky coastline of a Thai island and, in a life-affirming gesture, they have invited some local children to direct the film for them, suggesting and filming the movements of the actor-ghost.
Monsoon
1

Monsoon

Aug 01, 2011
Made for 3.11 A Sense of Home Films project, organised by the Nara IFF Organising Committee.
Monsoon
1

Monsoon

Aug 01, 2011
Made for 3.11 A Sense of Home Films project, organised by the Nara IFF Organising Committee.
This and a Million More Lights
1
One of several one-minute artists’ videos made for the Nelson Mandela Foundation’s 46664: Give 1 Minute of Art to AIDS campaign. A strobing fluorescent light inter-cuts scenes from an urban swimming pool; a young boy tempts the water.
Ghost of Asia
1

Ghost of Asia

Oct 20, 2005
Taking the recent tsunami in Asia as its starting point, the filmmakers have used the idea of a ghost seen wandering along the rocky coastline of a Thai island and, in a life-affirming gesture, they have invited some local children to direct the film for them, suggesting and filming the movements of the actor-ghost.
Blissfully Yours
6.6

Blissfully Yours

Oct 08, 2002
Taking the recent tsunami in Asia as its starting point, the filmmakers have used the idea of a ghost seen wandering along the rocky coastline of a Thai island and, in a life-affirming gesture, they have invited some local children to direct the film for them, suggesting and filming the movements of the actor-ghost.
Drama
มาลีและเด็กชาย
1
The subject is a 10 year-old boy who is in charge of the microphone. He roams to places around Bangkok to gather sounds for the video. The sound indicates the direction he headed during the filming and displays his point of interests. The filmmaker is in charge of the image, film roughly along at the boy’s locations. The narrative of the film, presented in texts, is taken from a Thai comic book available around the place of the filming. This faces and places documentation can be viewed as a one-afternoon diary of a day out in Bangkok.
มาลีและเด็กชาย
1
The subject is a 10 year-old boy who is in charge of the microphone. He roams to places around Bangkok to gather sounds for the video. The sound indicates the direction he headed during the filming and displays his point of interests. The filmmaker is in charge of the image, film roughly along at the boy’s locations. The narrative of the film, presented in texts, is taken from a Thai comic book available around the place of the filming. This faces and places documentation can be viewed as a one-afternoon diary of a day out in Bangkok.
Monsoon
1

Monsoon

Aug 01, 2011
Made for 3.11 A Sense of Home Films project, organised by the Nara IFF Organising Committee.
Ghost of Asia
1

Ghost of Asia

Oct 20, 2005
Taking the recent tsunami in Asia as its starting point, the filmmakers have used the idea of a ghost seen wandering along the rocky coastline of a Thai island and, in a life-affirming gesture, they have invited some local children to direct the film for them, suggesting and filming the movements of the actor-ghost.
มาลีและเด็กชาย
1
The subject is a 10 year-old boy who is in charge of the microphone. He roams to places around Bangkok to gather sounds for the video. The sound indicates the direction he headed during the filming and displays his point of interests. The filmmaker is in charge of the image, film roughly along at the boy’s locations. The narrative of the film, presented in texts, is taken from a Thai comic book available around the place of the filming. This faces and places documentation can be viewed as a one-afternoon diary of a day out in Bangkok.
Footprints
1

Footprints

Jan 01, 2014
Weerasethakul's contribution to an omnibus production exploring analogies between football and everyday life. The project was created by Mexican film director Daniel Gruener and originally broadcast during the 2014 FIFA World Cup.
Ghost of Asia
1

Ghost of Asia

Oct 20, 2005
Taking the recent tsunami in Asia as its starting point, the filmmakers have used the idea of a ghost seen wandering along the rocky coastline of a Thai island and, in a life-affirming gesture, they have invited some local children to direct the film for them, suggesting and filming the movements of the actor-ghost.
This and a Million More Lights
1
One of several one-minute artists’ videos made for the Nelson Mandela Foundation’s 46664: Give 1 Minute of Art to AIDS campaign. A strobing fluorescent light inter-cuts scenes from an urban swimming pool; a young boy tempts the water.
This and a Million More Lights
1
One of several one-minute artists’ videos made for the Nelson Mandela Foundation’s 46664: Give 1 Minute of Art to AIDS campaign. A strobing fluorescent light inter-cuts scenes from an urban swimming pool; a young boy tempts the water.
La Punta
5

La Punta

Aug 21, 2013
A short film made for "Venezia 70 - Future Reloaded."
Documentary
A Conversation with the Sun (Installation)
1
Interrogating the possibilities of an existence without his memories, A Conversation with the Sun draws on selected self-documented footage over several years – the means in which the artist has chosen to record his life since he embarked on filmmaking. Existing as a personal memory archive, these images together with published conversations between the artist and Artificial Intelligence (AI) generated cognitive specters of individuals and entities such as Jiddu Krishnamurti, Salvador Dali, the Sun, and others.
A Conversation with the Sun (Installation)
1
Interrogating the possibilities of an existence without his memories, A Conversation with the Sun draws on selected self-documented footage over several years – the means in which the artist has chosen to record his life since he embarked on filmmaking. Existing as a personal memory archive, these images together with published conversations between the artist and Artificial Intelligence (AI) generated cognitive specters of individuals and entities such as Jiddu Krishnamurti, Salvador Dali, the Sun, and others.
On Blue
1

On Blue

Nov 26, 2022
A short film directed by Apichatpong Weerasethakul in collaboration with composer Rafiq Bhatia and the Cincinnati Symphony Orchestra.
3.11 A Sense of Home
6.5

3.11 A Sense of Home

Nov 04, 2011
In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.
Animation
For Bruce
1

For Bruce

Oct 23, 2022
This work filmed in the Peruvian jungle pays tribute to the American experimental filmmaker Bruce Baillie, who died in 2020, and whose work inspired Weerasethakul. An almost meditative vision takes in the sun reflected on rippling water, revealing the act of looking and seeing.
Syndromes and a century
6.8
This work filmed in the Peruvian jungle pays tribute to the American experimental filmmaker Bruce Baillie, who died in 2020, and whose work inspired Weerasethakul. An almost meditative vision takes in the sun reflected on rippling water, revealing the act of looking and seeing.
Drama
หัวใจทรนง
5.1
A gang of local thugs come in and start roughing up the customers and get abusive with the daughter. Suddenly, an elaborately coifed and tastefully dressed woman shows up and rescues the young woman and her father from further harm. This is Iron Pussy.
Comedy
Art Through Our Eyes
1

Art Through Our Eyes

Oct 01, 2016
As an omnibus of short films, Art Through Our Eyes is inspired by the art collection found at the National Gallery Singapore. Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked a masterpiece from the 19th and 20th century as inspiration for their short films.
Drama
Fever Room
1

Fever Room

Oct 16, 2015
"Fever Room" features Jenjira (Jen) and Banlop (Itt), two of Apichatpong’s regular actors who also appear in his film, "Cemetery of Splendour". Like the film, this projection-performance presents the layers of reality and fantasy. Apichatpong fuses his memories with the actors’ and fictionalises the narrative. Here the people takes refuge in dreams while their land is on a brink of collapse, echoing Thailand’s present state of military dictatorship.
20 Little Films
1

20 Little Films

Feb 13, 2012
Each year since 1995, the Viennale has asked a great, international director to make his or her own personal contribution to the festival: a contribution in the form of a small, approximately one-minute film, which is used as a kind of introduction to the festival. The concept of this "little films" (as Jonas Mekas once called them) is more to create a short, autonomous work, a cinematic moment that stands alone and for nothing and no-one else. Over the years this has resulted in a series of absolutely unique, exceptional works. Each director has created his/her own cinematic world between home movie and political essay, music film and minimal étude, mysterious story and radical, aesthetic abstraction on those little films, that will now be shown together for the first time on the occasion of the Viennale’s great 50th anniversary, premiering at the Locarno Film Festival.
Invisibility
1

Invisibility

Feb 02, 2016
Invisibility displays Weerasethakul’s continued interest in the issue of perception and memory. The installation takes threads from his recent films, Cemetery of Splendor and Fever Room, both of which feature the same actors. Here, he takes them deeper into an imaginary world and ponders the future of shared consciousness. The videos depict a landscape where the protagonists are confined to a room, along with the viewers. With no way out, they infiltrate each other’s dreams. Invisibility mirrors the troubled state of Thailand’s politics. It proposes a decayed vision of the future where one needs to constantly evade reality. The viewing experience shifts between seeing and not seeing, fact and fiction, space and void.
Invisibility
1

Invisibility

Feb 02, 2016
Invisibility displays Weerasethakul’s continued interest in the issue of perception and memory. The installation takes threads from his recent films, Cemetery of Splendor and Fever Room, both of which feature the same actors. Here, he takes them deeper into an imaginary world and ponders the future of shared consciousness. The videos depict a landscape where the protagonists are confined to a room, along with the viewers. With no way out, they infiltrate each other’s dreams. Invisibility mirrors the troubled state of Thailand’s politics. It proposes a decayed vision of the future where one needs to constantly evade reality. The viewing experience shifts between seeing and not seeing, fact and fiction, space and void.
The Fountains of Paradise
1
Film inspired by two things: an article written by a Thai woman who went Sri Lanka on a religious pilgrimage by climbing a holy mountain, and sci-fi author Arthur C. Clarke's 'The Fountain of Paradise' which is set in a fictional land based on a Sri Lankan landscape.
Drama
The Fountains of Paradise
1
Film inspired by two things: an article written by a Thai woman who went Sri Lanka on a religious pilgrimage by climbing a holy mountain, and sci-fi author Arthur C. Clarke's 'The Fountain of Paradise' which is set in a fictional land based on a Sri Lankan landscape.
Drama
หมอนรถไฟ
7
The first railway line in Thailand was inaugurated in 1893 – a sign of progress and prosperity. Shot over eight years on every active line of the country's railway system, this wondrous documentary offers an unprecedented immersion into the country's past and present.
Documentary
Nimit
1

Nimit

Dec 05, 2007
Made for 'Short Films for the King Bhumibol Adulyadej's 80th Birthday', 2007.
An Evening Shoot
1

An Evening Shoot

May 01, 2009
A group of teens gather at a house near the rice field for the shooting of an unknown movie. Wearing army costumes, they practice with their gun, one by one, and point it at a young man, walking in the distance, who reincarnates miraculously after being shot.
Ablaze
1

Ablaze

Nov 26, 2016
ABLAZE premiered at the 27th Singapore Film Festival, November 24, 2016
Documentary
async - first light
6

async - first light

Apr 01, 2017
A collaboration between Apichatpong and Japanese composer Ryuichi Sakamoto from his album “async”. The people falling asleep in this film are all his friends, he sent cameras to friends and asked them to shoot. Apichatpong often carries Digital Harinezumi camera with him, and completing a lot of works with this camera. This work was first exhibited at the WATARI Museum of Contemporary Art in Tokyo (Japan, 2017).
A Dedicated Machine
1

A Dedicated Machine

Jun 01, 2009
Nabua’s spaceship as an ideally manufactured vessel slowly lifts off from the ground and flutters in the air for a moment. Then it moves back down to the earth. This loop portrays a never-really-taking-off spaceship.
Nabua
1

Nabua

Jun 01, 2009
A documentation of Nabua altered into a field of lightning. The film, in the manner of an old sci-fi or horror movie, shows a set of mini-explosions creating a synchronised series of bolts of lightning like a downpour of bullets from the sky. The flashes of light reveal the surroundings, then the ground with smoke, dust, and silence.
Memoria
6.052

Memoria

Sep 30, 2021
A documentation of Nabua altered into a field of lightning. The film, in the manner of an old sci-fi or horror movie, shows a set of mini-explosions creating a synchronised series of bolts of lightning like a downpour of bullets from the sky. The flashes of light reveal the surroundings, then the ground with smoke, dust, and silence.
Drama
Memoria
6.052

Memoria

Sep 30, 2021
A documentation of Nabua altered into a field of lightning. The film, in the manner of an old sci-fi or horror movie, shows a set of mini-explosions creating a synchronised series of bolts of lightning like a downpour of bullets from the sky. The flashes of light reveal the surroundings, then the ground with smoke, dust, and silence.
Drama
Short Plays
5.1

Short Plays

Jun 05, 2014
Football seen through the eyes of some of the best directors of the world.
Documentary
ตะวันดับ
6.065
A woman lies awake at night. Nearby, a set of theatre backdrops unspools itself, unveiling two alternate landscapes. Upon the woman’s blue sheet, a flicker of light reflects and illuminates her realm of insomnia.
Fantasy
ตะวันดับ
6.065
A woman lies awake at night. Nearby, a set of theatre backdrops unspools itself, unveiling two alternate landscapes. Upon the woman’s blue sheet, a flicker of light reflects and illuminates her realm of insomnia.
Fantasy
Dilbar
1

Dilbar

Mar 13, 2013
Commissioned by The Sharjah Art Foundation
Second Love in Hong Kong
1
Second Love in Hong Kong shares a common theme in the art works of Christelle and Apichatpong – a minimalist portrayal of hybrid fiction/non-fiction landscape. Here the filmmakers focus on an imaginary character named Hong (Swan) who travels from Thailand to Hong Kong for a housemaid job. The tale is taken from a comic book of the same title and is chosen among the thousands of romance comics that are widely read by Thai workingwomen, mostly underprivileged.
Mi Madre Siempre
1

Mi Madre Siempre

Jan 01, 1970
Isabella, a woman in her mid-twenties, finally decides to tell her boyfriend that she is pregnant. His reaction leaves a rippling effect that causes Isabella to face her biggest fear.
TON
1

TON

Jan 01, 2004

TON

Before Weerasethakul makes a new feature film, he conducts thorough research related to the topic of his interest. For his feature film, Tropical Malady, Apichatpong asked his colleague Ton to visit the army in the Kaeng Krachan Dam area to study the lives of soldiers and their daily routines. This video documents Ton during his research trip, which later became a reference for the main character in Tropical Malady.
Blue Propeller
1

Blue Propeller

Jan 01, 2013
Blue Propeller is made to be shown with One Water. The fingernails were painted the color of the sky and the sea. But the sky was grey. The nail color instead matched the plane engine’s blue.
Nabua Song
1

Nabua Song

Jan 01, 2009
Petch, one of the young men of Nabua, composed and plays this song about his village written to commemorate the first shoot-out between the army and the farmer communists 43 years before. The song is combined with an image of Kamgiang, Petch’s friend, whose grandfather was killed by the soldiers in the field not far from his home.
The Palace (Pipittan Tee Taipei)
6
There is a room at a Palace Museum that is filled with spirits. It accommodates countless of memories spanning several centuries. The room has observed the artifacts, the faces, the sounds, and the moving images. The room itself is a moving image, a moving vehicle. It is a spaceship that has been sailing through the landscapes and time, from the Ages of Stone, Bronze, the Greek, the Roman, the Communist, and the Tsai Ming-liang. Now the artifacts have disappeared, so as lives. We are in the age of extinction. (...)
Fireworks Sketch
1

Fireworks Sketch

Jan 01, 2014
This film is a study for "Fireworks (Archives)", a fiction set at night-time amng the animal scultures at Wat Sala Kaew Ku Sculture Park. For Weerasethakul, these scultures represent a form of rebellion against tical oppression and the harshness of daily life.
Teem
1

Teem

Jan 01, 2007
Teem Nov 20, 9:53 min. Teem Nov 21, 22:38 min. Teem Nov 22, 27:31 min. Each projection in this work is a daily morning portrait of Teem, the artist’s partner. As winter approached in late 2007, Teem informed Weerasethakul that he would hibernate until February 2008. As a result, he slept a lot during this time while Weerasethakul observed and sometimes disrupted his partner’s mission with his mobile phone.
Documentary
Jenjira, Brother Triam
1
For over 20 years, Werasethakul has worked with the same crew and actors. In this video, he asks two of his close collaborators to recount and perform their dreams for the camera. Here Jenjira shares a childhood dream in with her deceased brother reappears.
Father
1

Father

Jan 01, 2014
The original footage in Father was shot in 2003 by Weerasethakul’s brother when their father was undergoing kidney dialysis. Forever stuck in his memory, the artist reuses the footage here as well as in a prominent scene in his feature film Uncle Boonmee Who Can Recall His Past Lives.
Bullet
1

Bullet

Jan 01, 1993
Bullet is Weerasethakul’s first film, an experimental, silent short that explores light and time. Here, one can see many tropes that continue to be developed throughout the artist’s career.
One Water
1

One Water

Apr 05, 2013
Tilda Swinton, a British actress and friend of Weerasethkul, organized Film on the Rocks, a film festival in the Maldives where she invited the artist to take part in the project. While he was with her, Weerasethakul asked Swinton to recall her dreams in front of his camera. One Water portrays a poignant friendship between the actress and filmmaker, who continue to collaborate today.
Memoria, Boy at Sea
1

Memoria, Boy at Sea

May 27, 2017
The work is part of the Memoria Project, the first major series of work that is set outside of Weerasethakul’s home country. Given his affinity for the Amazon, of which Thai jungle tales were originally inspired, Weerasethakul has started to explore South America - and since 2017, has been developing a film based in Colombia. He is drawn to its topography, where active volcanoes and landslides ceaselessly transform natural landscapes. The Memoria Project presents both personal and collective memories, while retaining the artist’s fascination with illumination. A vital part of the video and photographic works is the presence of a lone protagonist on the beach. Weerasethakul worked with Canadian actor Connor Jessup who visited him during the filming of a documentary at Nuquí area in Chocó Department, western Colombia. Here, the actor is a spirit that contemplates the artist’s journey, his dream of both real and imaginary films.
Papagajka
6.2

Papagajka

Mar 13, 2016
A stranger arrives in Sarajevo and barges into Damir's reclusive world. Little by little she takes over his life. She absorbs his dreams, until finally she threaten his very existence.
Thriller
ภวังค์รัก
6.4
Amidst the post-economic crash, a man must return from abroad after his father committed suicide. After return home, he must confront his past and struggle to hold on to his present.
Drama
Primitive
1

Primitive

Jan 01, 2009
A series of short films in which the history of the Thai border town of Nabua is re-imagined as an elusive science fiction ghost story rooted in Thai folklore.
Drama
Fiction
1

Fiction

Jun 26, 2018
"Night-time, fluorescent lamps buzzing and scuttling insects a hand writing in a blank book, writing and attempting to record a dream. The image envelopes the viewer, the projection plays on all surfaces insects, hand and lights slide across the floor dream and reality collide."
Syndromes and a century
6.8
Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.
Drama
Boys at Noon
1

Boys at Noon

Dec 31, 2000
Mock documentary following the escapades of three teenagers on an afternoon jaunt.
Drama
Cinetracts '20
6

Cinetracts '20

Oct 08, 2020
A global portrait documenting the year's events, Cinetracts '20 features the work of an international lineup of 20 filmmakers. Capturing the zeitgeist in their own backyard, the artists' short films are the culmination of a year-long residency project.
Documentary
หมอกแม่ริม
6
The clouds descend onto a village and engulf it for a day. They touch the roof tiles, the beds, the chairs, the carpets, the grass, and the bodies, infecting everything with the fever of white stupor.
Mystery
จุติ
4.3

จุติ

May 31, 2010
A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist
Drama
2020
1

2020

Nov 17, 2020
Short for his website, kickthemachine.
Documentary
Nokia Short
1

Nokia Short

Jan 01, 2003
A short film made with a mobile phone, commissioned by Nokia as part of the promotion of the first model of a cellular phone with a built-in camera.
Nokia Short
1

Nokia Short

Jan 01, 2003
A short film made with a mobile phone, commissioned by Nokia as part of the promotion of the first model of a cellular phone with a built-in camera.
Nokia Short
1

Nokia Short

Jan 01, 2003
A short film made with a mobile phone, commissioned by Nokia as part of the promotion of the first model of a cellular phone with a built-in camera.
Sleep Song
1

Sleep Song

Jan 01, 2022
A short film made with a mobile phone, commissioned by Nokia as part of the promotion of the first model of a cellular phone with a built-in camera.
Walking
1

Walking

Jan 01, 2022
A short film made with a mobile phone, commissioned by Nokia as part of the promotion of the first model of a cellular phone with a built-in camera.
Action et Réaction
2

Action et Réaction

Jan 01, 2022
A short film made with a mobile phone, commissioned by Nokia as part of the promotion of the first model of a cellular phone with a built-in camera.
Solarium
1

Solarium

Jan 01, 2023
A short film made with a mobile phone, commissioned by Nokia as part of the promotion of the first model of a cellular phone with a built-in camera.
บทสนทนากับดวงอาทิตย์ (VR)
1
For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist. (Chiaki Soma)
Three Rocks
1

Three Rocks

Jan 01, 2022
"Even with your eyes open, you can't see anything. You are a part of the earth's limitless manifestations." (Weerasethakul) These stones taken from the Chiang Dao Cave would sometimes spur the artist to contemplation, recalling the "obscurity of the cave and the presence of millions of stones, all different, all individual, in the sky".
Seeing Circles
1

Seeing Circles

Jan 01, 2020
The videos were created with a pocket camera -its "eye" has a unique ability to see and interpret light and colour. This work introduces two "eyes", a pair for seeing communicate with one another and with other shadows, orbs, and cycles. They resolve around home, its memories, and secrets.
Le bureau qui avait peur
1
The videos were created with a pocket camera -its "eye" has a unique ability to see and interpret light and colour. This work introduces two "eyes", a pair for seeing communicate with one another and with other shadows, orbs, and cycles. They resolve around home, its memories, and secrets.
Le bureau qui avait peur
1
The videos were created with a pocket camera -its "eye" has a unique ability to see and interpret light and colour. This work introduces two "eyes", a pair for seeing communicate with one another and with other shadows, orbs, and cycles. They resolve around home, its memories, and secrets.
Mekong Hotel
5.4

Mekong Hotel

Jul 27, 2012
Three digital short films: 'Worldly Desires' by Apichatpong Weerasethakul, 'Haze' by Tsukamoto Shinya, 'Magician(s)' by Song Il-Gon
Drama
Mekong Hotel
5.4

Mekong Hotel

Jul 27, 2012
Three digital short films: 'Worldly Desires' by Apichatpong Weerasethakul, 'Haze' by Tsukamoto Shinya, 'Magician(s)' by Song Il-Gon
Drama