Suzanne Ciani

Explores the life and innovations of composer and electronic music pioneer Suzanne Ciani.

Documentaire d' images d'archives, d'entretiens et d'extraits sonores d'une poignée de pionnières, américaines, britanniques et françaises, de la musique électronique expérimentale. Même si le film prend bien soin de souligner les différences entre elles et leurs intentions distinctes, on effleure à la peine la surface en une heure et demi.

We follow the daily activities of Mother Teresa and her nuns, in service to the poor of India and the world. Mother Teresa attends to the basic needs of her nuns and the poor, while at the same time, balances her role as world-recognized leader. Throughout the film, we witness personal and "behind-the-scenes" events, including the blessing ceremony of a nun becoming part of Mother Teresa's "Sisters of the Poor" convent.

A snake lover sends out poisonous snakes and reptiles to kill his enemies.

In 'Rainbow's Children', Lloyd Williams reveals the dreamer awakening; erotic displacements of dreams are transformed into the erotic realities of life itself – although still poetically suffused with a dream like languor which the filmmaker cannot escape. The texture of flesh, the ambiguity of longing and the colors of psychedelic apotheosis all merge into a languorous ecstasy which Lloyd Williams is adept in translating into the medium of film. All the varieties of film technique: slow motion, multiple-exposure, fast motion, camera in full flight and frozen image, he uses for the revelation of his intense fantasy, whether from dreams or from real-life or from hallucinated contemplation. His work shows that the dreamer is, indeed, awakening into a whole new world of erotic fantasy, muted with desire. If hard core films shock you, the films of Lloyd Williams will caress you." –Charles Boultenhouse

In 'Rainbow's Children', Lloyd Williams reveals the dreamer awakening; erotic displacements of dreams are transformed into the erotic realities of life itself – although still poetically suffused with a dream like languor which the filmmaker cannot escape. The texture of flesh, the ambiguity of longing and the colors of psychedelic apotheosis all merge into a languorous ecstasy which Lloyd Williams is adept in translating into the medium of film. All the varieties of film technique: slow motion, multiple-exposure, fast motion, camera in full flight and frozen image, he uses for the revelation of his intense fantasy, whether from dreams or from real-life or from hallucinated contemplation. His work shows that the dreamer is, indeed, awakening into a whole new world of erotic fantasy, muted with desire. If hard core films shock you, the films of Lloyd Williams will caress you." –Charles Boultenhouse

Experimental short film shot at Berkely in the Fine Art Department.