John Benton

A Melbourne family is very happy living near the Melbourne airport. However, they are forced to leave their beloved home (by the Government and airport authorities) to make way for more runways. 'The Castle' is the story of how they fight to remain in their home.

In the summer of 1980, a successful yuppie faces an existential crisis when a nosferatic ghoul joins his social circle and undermines his social status.

Cette histoire, tragique, est celle de Nellie Trent (Nell Trent en VO), une jeune fille de 14 ans au cœur pur, qui vit avec son grand-père depuis la mort de ses parents. Elle veille sur lui avec amour et ferme les yeux sur le terrible mal dont il souffre : la passion du jeu. Ainsi, il perd d’énormes sommes d’argent et en emprunte toujours davantage à un usurier bossu et sadique, Quilp. Mais le grand-père de Nellie ne peut s’arrêter et bientôt tous ses biens vont être saisis. Sur l’idée de Nellie, tous deux partent sur les chemins pour échapper au cruel Quilp, et vivent de petits travaux qu’ils exercent chez diverses personnes. Hélas, le grand-père ne peut s’empêcher de jouer et chaque fois qu’ils gagnent un peu d’argent, c’est pour mieux le reperdre... De plus, Quilp n’est pas décidé à les laisser en paix et se met en tête de les suivre...

Identical twin brothers on vacation are faced with an unexpected battle when their getaway spot is invaded by mercenaries. Using their martial arts expertise, the twins wage war against the invaders in order to free their kidnapped girlfriends.

En Australie, un avocat prend la défense d'un soldat américain accusé du meurtre de trois femmes.

Mr. Casey's daughter, Connie, wants to go to Pottawatomie College and without her knowledge, he sends four football players as her bodyguards. The college is in financial trouble and her bodyguards use their salary to help the college. The football players join the college team, and the team becomes one of the best. One of the football players, Clint, falls in love with Connie, but when she discovers he is her bodyguard, she decides to go back East. The bodyguards follow her, leaving the team in the lurch.

Phoenix is an Australian police drama television series. Phoenix screened as two thirteen-part series on Australian Broadcasting Corporation in 1992 and 1993. The first series of Phoenix in 1992 recounted the investigation of the bombing of the Victorian state police headquarters, loosely based on a real case in the mid-1980s, the Russell Street Bombing. It was aided by extensive research into police techniques and was lauded as one of the most realistic depictions of police investigation techniques, including both surveillance and forensics, as well as having an involving storyline. The series was notable for its dark visual tone and for its no-holds-barred attitude to violence and language. It spawned a second thirteen-part series, Phoenix II, in 1993 as well as a spin-off series, Janus, in 1994 devoted to the machinations of court cases. The series was created and produced by Tony McDonald and Alison Nisselle and screened by the Australian Broadcasting Corporation. The ABC have released Series 1 and 2 on DVD as a 4 DVD box set.

Sous l'œil vigilant de Tom Croydon, les hommes et les femmes du poste de police de la ville fictive de Mount Thomas combattent le crime, résolvent les différends et s'attaquent aux problèmes sociaux de l'heure. Nous regardons leurs succès et leurs échecs et apprenons à grandir avec eux et leurs proches au fur et à mesure que le cœur de la série se développe.

Halifax f.p. is an Australian television crime series produced by Nine Network from 1994 to 2002. The series stars Rebecca Gibney as Doctor Jane Halifax, a forensic psychiatrist investigating cases involving the mental state of suspects or victims. The series is set in Melbourne. The producers of the film were Beyond Simpson Le Mesurier; Australian Film Finance Corporation and aired on the Nine Network Australia Pty Ltd 21 Episodes of 90 and 102 minutes each were produced, and the series has screened in more than 60 countries. The budget for each episode was an average of $1.3 million. Funding came in part from the Australian Film Finance Corporation and Film Victoria.