Jeff Crook

Claire Parker, une étudiante de 19 ans, travaille dans une station-service. Un jour, alors que son petit ami doit venir la chercher, elle voit arriver Duke, un homme qui se présente comme un copain de celui-ci et lui propose de la raccompagner. Claire accepte. Duke ne tarde pas à révéler son vrai visage : il va battre Claire à mort, la torturer, la mutiler. Puis on retrouve Claire à la caisse de sa station-service, indemne. Etait-ce un simple cauchemar ? Pas sûr, car l'horrible scénario se reproduit...

An engrossing clever film that reminds me of a Neil LaBute film. No one in this film is likable. That's usually the kiss of death in any film, yet the filmmakers are able to make the film engrossing without a strong hero the audience wants to root for. These people all exist left of center, but the filmmakers are able to get the audience to stick with them. Jason Madera is especially strong as Freddy, giving a touch of strength in order to convey that this guy isn't a loser. Well cast and a strong plot, the film took me in to the point that I no longer noticed the low budget and poor sound mix. The score has the right whimsy for the film though. Catch this one, it's a keeper.

An engrossing clever film that reminds me of a Neil LaBute film. No one in this film is likable. That's usually the kiss of death in any film, yet the filmmakers are able to make the film engrossing without a strong hero the audience wants to root for. These people all exist left of center, but the filmmakers are able to get the audience to stick with them. Jason Madera is especially strong as Freddy, giving a touch of strength in order to convey that this guy isn't a loser. Well cast and a strong plot, the film took me in to the point that I no longer noticed the low budget and poor sound mix. The score has the right whimsy for the film though. Catch this one, it's a keeper.

Mike Sullivan spends his nights kidnapping runaways so his boss, Lamar, can turn them into prostitutes. He is a crack addict and a thief and he is in love with a resentful prostitute, Rhonda, who doesn't love him back. Although he has aspirations of escaping this world, it isn't until he is nearly killed by corrupt cops for stealing money from his boss that he decides to redeem himself. In an attempt to save his own soul, he tries to get Rhonda out of the business, and is forced to battle Lamar and his henchmen, as well as Rhonda's unwillingness to change. As punishment for betraying Lamar, Mike is forced into a series of misdeeds, and in a shocking ending, must commit unredeemable acts as he tries to save Rhonda and himself.

Mike Sullivan spends his nights kidnapping runaways so his boss, Lamar, can turn them into prostitutes. He is a crack addict and a thief and he is in love with a resentful prostitute, Rhonda, who doesn't love him back. Although he has aspirations of escaping this world, it isn't until he is nearly killed by corrupt cops for stealing money from his boss that he decides to redeem himself. In an attempt to save his own soul, he tries to get Rhonda out of the business, and is forced to battle Lamar and his henchmen, as well as Rhonda's unwillingness to change. As punishment for betraying Lamar, Mike is forced into a series of misdeeds, and in a shocking ending, must commit unredeemable acts as he tries to save Rhonda and himself.

Mike Sullivan spends his nights kidnapping runaways so his boss, Lamar, can turn them into prostitutes. He is a crack addict and a thief and he is in love with a resentful prostitute, Rhonda, who doesn't love him back. Although he has aspirations of escaping this world, it isn't until he is nearly killed by corrupt cops for stealing money from his boss that he decides to redeem himself. In an attempt to save his own soul, he tries to get Rhonda out of the business, and is forced to battle Lamar and his henchmen, as well as Rhonda's unwillingness to change. As punishment for betraying Lamar, Mike is forced into a series of misdeeds, and in a shocking ending, must commit unredeemable acts as he tries to save Rhonda and himself.