Nada Macanković

Belgrade, Yugoslavia, 1979; a mysterious "Phantom" occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

A biographical story of Serbian King Aleksandar I Karadjordjevic.

Young filmmaker Tanja receives money to shoot her debut film.

Jovana and Aleksa are young people, linked by fate since childhood. Forced to move from the area where their ancestors lived for centuries, trying to find and secure the place to live in their new environment. Faced with the loneliness, and separation, because Alex works abroad in order to pay for the house, and they collide with the unsolvable problem for them - a fraud!

Year 1973, turmoil between Kosovo Serbs and Albanians in Autonomous province of Kosovo. A story that describes the beginning of the crisis in Kosovo.

When seven-year-old Julia's parents go out and leave her at home alone, she opens the door to a suspicious stranger. Six months later, the consequences of this launch Julia and her friends on a breakneck quest to save her family. In the course of this she becomes aware of how the world works and the place she and her family occupy in it.

Belgrade, 1999. Pera est projectionniste. A 40 ans, pourtant épris de Lela, son amour de jeunesse, il vit encore chez sa mère, Mara. Le jour où l'Otan bombarde la Serbie, Pera apprend qu'il vient de gagner une green card, alors qu'il n'a jamais participé à une loterie. Lela, elle, décide de fuir aux Etats-Unis avec sa fille. Pera reste avec sa mère. Alors que les bombardements se rapprochent, Mara, inquiète, insiste pour que son fils parte à son tour. Il fouille sa poubelle et retrouve la carte qu'il avait jetée. Mais il ne partira pas sans sa mère. Après un détour par l'ambassade danoise et grâce à l'entregent de quelques tziganes, ils parviennent à obtenir un visa...

In a world full of fear, where love is slowly drifting away and becoming something unreachable, we come across unfortunate people, such as Rasha and his demanding sick father. Living on the edge of existence during pre-apocalyptic time, he becomes a guard of an old hotel, and stumbles upon strange characters with whom he shares misfortune.

Semester and Quarter are two best friends with no money. Like most young they hope for quick and easy money which would change their life. As events turned out, they are given a life chance to reach their aim by entering the pyramidal system. Running after it, they go through a lot of strange situations along with bizarre and unusual people.

The film is taking place in Belgrade for 24 hours. Follows a few stories and speaks about young urban characters, their lives, their ideals and feelings, and raises the question of whether they still have them.

The series covers the period from the entry of King Alexander into liberated Belgrade after the end of the First World War until the assassination in Marseilles.

An updated version of a legendary Yugoslavian 1970s sitcom “Theater at Home”.

A drama series about a small Belgrade basketball club, the life and times of middle-aged coaches and the teenage players, their athletic and romantic struggles on and off court.

Ravna Gora tells story of events after April War 1941. Serbia with accent on the Chetnic-Partisan conflict, at the beginning of World War II