Angelo Moore

Josh et Ivan sont virés de leur boulot de gardiens de sécurité. Utilisant les dernieres ressources qui leur restent, ils fondent une compagnie vidé appelée Video Aces. Très vite, ils vont croiser la route de personnes travaillant dans le business et ils vont être entraînés dans la spirale infernale du monde des affaires.

A young hipster wannabe-superstar dj, Phil, takes on a day job at a telemarketing company, working with crazy people, ex-prisoners, drug addicts and murderers. The time on his life begins to tick as he battles addiction, fights the law and tries to maintain the only sane thing left in his life, his girlfriend, Christine.

From the shifting fault lines of Hollywood fantasies and the economic and racial tensions of Reagan's America, Fishbone rose and became one of the most original bands of the last 25 years. With a blistering combination of punk and funk they demolished the walls of genre and challenged the racial stereotypes and the political order of the music industry and of the nation.

Probablement le groupe le plus inclassable du Hellfest : Fishbone vient retourner la Warzone avec son mélange des genres.

Maintenant adultes, Frankie et Annette ont mis de côté leur vie de fêtards. En visite chez leur fille dans le sud de la Californie, ils se rendent compte que la fête n'est peut-être pas vraiment finie...

When the apocalypse arrives, it takes the form of a biochemical virus. All social structures break down and a new world order emerges from the heart of the desert. As chaos sets in, we follow the adventures of some unlikely survivors, all searching for the elusive cure at Phoenix Point.

In the mid-1980s outside this college town, home of the Kansas Jayhawks, punk rock history was being made in the middle of a cornfield. Where the pavement turned to gravel, in a small, primitive cinder block building, bands like Fugazi, the Melvins, Rollins Band, Gwar, the Circle Jerks, Body Count, Social Distortion, Bad Brains, White Zombie, Descendents, Sonic Youth, Green Day, Fishbone, the Meat Puppets, Helmet, and Nirvana played to all-ages crowds, a raucous scene of misfits and anarchists on the margins of youth culture. This was The Outhouse. Small, dark and sometimes dangerous, it quickly gained a reputation as a haven for the bands other venues were afraid of, and the kids who loved them.

Octobre 1965, New York. Les traditionnels géants des Fêtes de Pampelune sont invités à défiler sur la 5ème avenue. Mais les autorités américaines interdisent la participation des deux géants noirs dans le contexte de la ségrégation raciale.