Ekaterine Verulashvili

La version russe du réjouissant conte oriental. Le méchant sorcier maghrébin interroge les astres, il lui faut le nom de celui qui peut retrouver la Lampe merveilleuse, capable des plus extraordinaires prodiges. Les astres lui répondent : Aladin. Nous voici à Bagdad, chez la fille du Sultan, une beauté du nom de Boudour que nul n'ose regarder, sous peine d'être décapité sur-le-champ. Or cette capricieuse créature remarque sur son passage le nommé Aladin, et le force à lever les yeux sur elle. C'est évidemment le coup de... Voir la suite

Ketevan, a village doctor, is already sending her second son away in the world war. Only the youngest child, Mamuka, remains as the family's hope. Ketevan does not lack care for the sick, lives in hope, and waits for his children to return home. But the harsh reality of the war demands a sacrifice from her again - Ketevani sends his third son to the war as well.

À Tbilissi, un pharmacien croise dans le trolleybus le regard d'une jeune femme. La retrouvant par hasard au Conservatoire, il échange avec elle un regard complice. Il la raccompagne.

The old peasant Minago Iremadze and his wife miss their children who live in the city. The older brother married a city girl, the younger studies there. Minago decides to bring them back home. He goes to the city and tells everything to his sons. The brothers understand their dad well but cannot abandon the city life.

Zambakhov tries to marry his ugly daughter to a young man who just returned to town.

Ololi, a young actress, returns to her family and hometown after separating from her husband. Her father's colleague wants to marry her, but his desire is driven more by ambition than genuine affection. However, Ololi falls in love with someone else, a young driver named Guja. Guja loves Ololi as well, but he struggles against societal judgment, which looks down upon the profession of an actress.

A three-part feature film by Georgian director Lana Ghoghoberidze, dedicated to the 40th anniversary of the Soviet Union. The film is based on Leo Qiacheli's short story "Princess Maya" and Archil Sulakauri's novels "Doves" and "Fresco". These three stories are separated by a 20-20 year interval (1921, 1941, 1961).