Masaaki Usui

A little girl who falls into a lake and is saved by a god who then takes her up to the clouds and shows her what the world was like before she was born and what the world would be like if she where never born. While in the clouds she meets her grandparents and a few other people she loved who have passed on.

Kaori is pursuing her career as a journalist for a magazine with great enthusiasm. But as a result of an article she wrote, she is sent to work for a community magazine at Fukuoka. An anonymous letter arrives, which puts her in contact with an old and forgotten theater, the 'Minato Theater' in nearby Shimonoseki.

Kaori is pursuing her career as a journalist for a magazine with great enthusiasm. But as a result of an article she wrote, she is sent to work for a community magazine at Fukuoka. An anonymous letter arrives, which puts her in contact with an old and forgotten theater, the 'Minato Theater' in nearby Shimonoseki.

When his father flees from debt, carefree college student Osamu sees his life turn upside-down. Expelled from school and evicted from his apartment, he becomes one of Japan’s many ‘net cafe refugees’, barely scraping by each day with temporary and part-time work. Even though he’s still in Tokyo, his circumstances drive him to see and experience his home city in new ways. Trying to survive, Osamu gradually acquaints himself with the ‘invisible’ spaces occupied by the wanderers and homeless of Tokyo… people just like himself.

Thirteen years afterward, I wonder if those who bombed Hiroshima are looking at me and saying: 'We did it! We were able to kill another person!' They should be," murmurs Minami (played by Kumiko Aso), one of the two leading female characters in Yunagi no Machi, Sakura no Kuni, as she lies dying in 1958, her life brought to a premature end by sickness resulting from her exposure to atomic bomb radiation. This is a story about those who at least initially survived the first U.S. atomic bombing of 1945 and their descendants in contemporary times. The film, based on a comic by Fumiyo Kono, jumps between the two time frames and quietly depicts the sorrow and mortification experienced through the everyday lives of laid-back and soft-spoken Hiroshima people. Only a few scenes of the bombing and the ensuing devastation are featured.

As a family-run confectionery shop in Kagoshima struggles to stay in business with increasing competition from local supermarkets, the family's three daughters experience various troubles in their private lives.