Kidlat Tahimik

Recently added

Perfumed Nightmare
7.2

Perfumed Nightmare

Jan 08, 1979
Les aventures d’un conducteur de Jeepney philippin qui rêve d’émigrer aux Etats-Unis et de devenir astronaute. Il fantasme un occident idéalisé tout en dressant un portrait affectueux de la culture populaire de sa province. Avec l’aide d’un américain il parvient à partir à Paris avec son Jeepney à la découverte de l’Ouest.
Comedy
Lucid
1

Lucid

Aug 07, 2023
A national artist delivers a powerful message urging us to embrace and celebrate our cultural heritage, highlighting its richness and greatness, and encouraging us to avoid being mere imitators of modern society.
Documentary
Shaman Wars
1

Shaman Wars

Nov 18, 1982
Three powerful shamans fight it out in a series of bizarre encounters over an a-go-go dancer. Their final encounter ends disastrously for all three, while the a-go-go-girl ends up acquiring all their powers.
映画になった男
1

映画になった男

Dec 10, 2018
Masato Hara made his directorial debut in high school in 1968 and achieved a reputation as a young prodigy. Many years later, he continues to make films and show his old experimental 'live-screening' films, but is saddled with massive debts. This film follows eight years in his life.
Documentary
L'Énigme de Kaspar Hauser
7.3
En 1858, à Nuremberg, un jeune homme en haillons fait son entrée sur la place de la ville. Enfermé dans une cave et nourri furtivement par un inconnu jusqu'à l'âge de dix-sept ans, Kaspar Hauser vient d'être mystérieusement relâché par ce même homme. Sachant à peine marcher, il découvre le soleil, les arbres et les hommes. D'abord recueilli par une famille de paysans compatissants, puis exhibé dans un cirque, il est bientôt confié à un riche bourgeois, Daumer, qui, à force de patience et d'amitié, entreprend d'en faire un être civilisé…
Drama
映画の都
6

映画の都

Oct 12, 1991
This film is a record of the first Yamagata International Documentary Film Festival. It reflects the various ways the festival was given shape by nascent global changes embodied by Perestroika, the Tiananmen Square massacre, and many other contemporaneous events.
Documentary
José Rizal
9

José Rizal

Dec 25, 1998
Accused of treason, Dr. Jose P. Rizal awaits trial and meets with his colonial government-appointed counsel, Luis Taviel de Andrade. The two build the case and arguments for the defense as significant events in the central figure's life prior to his incarceration unfold. Upon hearing Rizal's life story, Taviel begins to realize that the accused not just is innocent but exhibits in fact all the qualities of an extraordinary man. When the mock trial unreels, Taviel is all set to act as the prime advocate for his client as Rizal himself is about to give an earth-moving speech to defend his honor and address his countrymen. Meanwhile, the Spanish authorities have worked out the vast political machinery to ensure a guilty verdict. A revolution waits in the wings.
Drama
BalikBayan #1: Memories of Overdevelopment Redux VI
1
As the ultimate enfant terrible of Philippine cinema, avant-gardist Kidlat Tahimik refuses to settle on anything, whether it’s the telling of a colonial past, or any version of this film, which he’s been making and revising for nearly four decades. BalikBayan, which means “returnee” in Filipino, is partly about the homecoming of the historical figure Enrique of Malacca, a Malay who Tahimik first played and brought to the screen in 1979. As the slave of the 16th-century Portuguese explorer Ferdinand Magellan he circumnavigated the Earth, before returning home as a free man. Old footage of Enrique, played by the young Tahimik, is mixed with the fictional story of a mysterious old man, played by the present-day Tahimik, and documentary footage of a contemporary artist community in Baguio, in northern Philippines. In this version, Redux VI, Tahimik continues his quest to reconsider the Philippines’ colonial legacy. Shot on 16mm (1979–1980s) and video (1990s–2017).
Documentary
Bahag Ko, Mahal Ko
1

Bahag Ko, Mahal Ko

Jan 01, 1996
Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."
Documentary
Jag rodnar
1

Jag rodnar

Oct 12, 1981
"I am blushing" - Swedish comedy about a film crew traveling to the Philippines to find environments for a movie.
Comedy
Oda sa Mga Nangangarap
1
A machine capable of recording ideas directly from the mind is invented, and an out-of-work comedian suffering from depression uses it to learn if he still has the gift to make people laugh.
Comedy
Bakit Dilaw ang Gitna ng Bahag-hari?
5
Inspired by a trip to Monument Valley and the Navajo Nation while en route to the Telluride Film Festival, Tahimik and his eldest son Kidlat Gottlieb Kalayaan use the "spaghetti machine" (Tahimik's nickname for his Bolex camera) to make their own "spaghetti western." The decade-long path of the film encompasses the assassination of Benigno Aquino and the subsequent Yellow Revolution that brought Corazon Aquino to power, the decommissioning of the US air base Camp John Hay, and the younger Kidlat's trajectory through school, all shown through a Third World Projector salvaged from a junk pile on Navajo land.
Documentary
Bakit Dilaw ang Gitna ng Bahag-hari?
5
Inspired by a trip to Monument Valley and the Navajo Nation while en route to the Telluride Film Festival, Tahimik and his eldest son Kidlat Gottlieb Kalayaan use the "spaghetti machine" (Tahimik's nickname for his Bolex camera) to make their own "spaghetti western." The decade-long path of the film encompasses the assassination of Benigno Aquino and the subsequent Yellow Revolution that brought Corazon Aquino to power, the decommissioning of the US air base Camp John Hay, and the younger Kidlat's trajectory through school, all shown through a Third World Projector salvaged from a junk pile on Navajo land.
Documentary
Perfumed Nightmare
7.2

Perfumed Nightmare

Jan 08, 1979
Inspired by a trip to Monument Valley and the Navajo Nation while en route to the Telluride Film Festival, Tahimik and his eldest son Kidlat Gottlieb Kalayaan use the "spaghetti machine" (Tahimik's nickname for his Bolex camera) to make their own "spaghetti western." The decade-long path of the film encompasses the assassination of Benigno Aquino and the subsequent Yellow Revolution that brought Corazon Aquino to power, the decommissioning of the US air base Camp John Hay, and the younger Kidlat's trajectory through school, all shown through a Third World Projector salvaged from a junk pile on Navajo land.
Comedy
Perfumed Nightmare
7.2

Perfumed Nightmare

Jan 08, 1979
Inspired by a trip to Monument Valley and the Navajo Nation while en route to the Telluride Film Festival, Tahimik and his eldest son Kidlat Gottlieb Kalayaan use the "spaghetti machine" (Tahimik's nickname for his Bolex camera) to make their own "spaghetti western." The decade-long path of the film encompasses the assassination of Benigno Aquino and the subsequent Yellow Revolution that brought Corazon Aquino to power, the decommissioning of the US air base Camp John Hay, and the younger Kidlat's trajectory through school, all shown through a Third World Projector salvaged from a junk pile on Navajo land.
Comedy
Perfumed Nightmare
7.2

Perfumed Nightmare

Jan 08, 1979
Inspired by a trip to Monument Valley and the Navajo Nation while en route to the Telluride Film Festival, Tahimik and his eldest son Kidlat Gottlieb Kalayaan use the "spaghetti machine" (Tahimik's nickname for his Bolex camera) to make their own "spaghetti western." The decade-long path of the film encompasses the assassination of Benigno Aquino and the subsequent Yellow Revolution that brought Corazon Aquino to power, the decommissioning of the US air base Camp John Hay, and the younger Kidlat's trajectory through school, all shown through a Third World Projector salvaged from a junk pile on Navajo land.
Comedy
Perfumed Nightmare
7.2

Perfumed Nightmare

Jan 08, 1979
Inspired by a trip to Monument Valley and the Navajo Nation while en route to the Telluride Film Festival, Tahimik and his eldest son Kidlat Gottlieb Kalayaan use the "spaghetti machine" (Tahimik's nickname for his Bolex camera) to make their own "spaghetti western." The decade-long path of the film encompasses the assassination of Benigno Aquino and the subsequent Yellow Revolution that brought Corazon Aquino to power, the decommissioning of the US air base Camp John Hay, and the younger Kidlat's trajectory through school, all shown through a Third World Projector salvaged from a junk pile on Navajo land.
Comedy
Turumba
5.4

Turumba

May 15, 1981
Kadu, a boy from Pakil, Laguna, experiences the dissolution of tradition as it gives way to capitalism in the form of Madame, a foreigner who initially came to their village as a customer during the Festival of Turumba.
Drama
Bakit Dilaw ang Gitna ng Bahag-hari?
5
Inspired by a trip to Monument Valley and the Navajo Nation while en route to the Telluride Film Festival, Tahimik and his eldest son Kidlat Gottlieb Kalayaan use the "spaghetti machine" (Tahimik's nickname for his Bolex camera) to make their own "spaghetti western." The decade-long path of the film encompasses the assassination of Benigno Aquino and the subsequent Yellow Revolution that brought Corazon Aquino to power, the decommissioning of the US air base Camp John Hay, and the younger Kidlat's trajectory through school, all shown through a Third World Projector salvaged from a junk pile on Navajo land.
Documentary
Bakit Dilaw ang Gitna ng Bahag-hari?
5
Inspired by a trip to Monument Valley and the Navajo Nation while en route to the Telluride Film Festival, Tahimik and his eldest son Kidlat Gottlieb Kalayaan use the "spaghetti machine" (Tahimik's nickname for his Bolex camera) to make their own "spaghetti western." The decade-long path of the film encompasses the assassination of Benigno Aquino and the subsequent Yellow Revolution that brought Corazon Aquino to power, the decommissioning of the US air base Camp John Hay, and the younger Kidlat's trajectory through school, all shown through a Third World Projector salvaged from a junk pile on Navajo land.
Documentary
Turumba
5.4

Turumba

May 15, 1981
Kadu, a boy from Pakil, Laguna, experiences the dissolution of tradition as it gives way to capitalism in the form of Madame, a foreigner who initially came to their village as a customer during the Festival of Turumba.
Drama
Bubong!
1

Bubong!

Jan 01, 2006
Experimental documentary about roof-making.
Documentary
Bubong!
1

Bubong!

Jan 01, 2006
Experimental documentary about roof-making.
Documentary
Bahag Ko, Mahal Ko
1

Bahag Ko, Mahal Ko

Jan 01, 1996
Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."
Documentary
Bahag Ko, Mahal Ko
1

Bahag Ko, Mahal Ko

Jan 01, 1996
Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."
Documentary
Banal Kahoy
1

Banal Kahoy

Jan 01, 2003
The film illustrates the philosophy of “giving back” to nature, and documents the pinugo, the unique system of sustainable land cultivation developed by the Ifugao to take equal account of forest management and rice growing.This diary film also turns into a travelogue when a group of woodcarvers embark on a trip to Japan to the Takedera temple where they transform a 250-year-old tree, which had been struck by a lightning bolt, into a totem pole.
Documentary
Banal Kahoy
1

Banal Kahoy

Jan 01, 2003
The film illustrates the philosophy of “giving back” to nature, and documents the pinugo, the unique system of sustainable land cultivation developed by the Ifugao to take equal account of forest management and rice growing.This diary film also turns into a travelogue when a group of woodcarvers embark on a trip to Japan to the Takedera temple where they transform a 250-year-old tree, which had been struck by a lightning bolt, into a totem pole.
Documentary
BalikBayan #1: Memories of Overdevelopment Redux VI
1
As the ultimate enfant terrible of Philippine cinema, avant-gardist Kidlat Tahimik refuses to settle on anything, whether it’s the telling of a colonial past, or any version of this film, which he’s been making and revising for nearly four decades. BalikBayan, which means “returnee” in Filipino, is partly about the homecoming of the historical figure Enrique of Malacca, a Malay who Tahimik first played and brought to the screen in 1979. As the slave of the 16th-century Portuguese explorer Ferdinand Magellan he circumnavigated the Earth, before returning home as a free man. Old footage of Enrique, played by the young Tahimik, is mixed with the fictional story of a mysterious old man, played by the present-day Tahimik, and documentary footage of a contemporary artist community in Baguio, in northern Philippines. In this version, Redux VI, Tahimik continues his quest to reconsider the Philippines’ colonial legacy. Shot on 16mm (1979–1980s) and video (1990s–2017).
Documentary
Bahag Ko, Mahal Ko
1

Bahag Ko, Mahal Ko

Jan 01, 1996
Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."
Documentary
Lakbayan
1

Lakbayan

Apr 03, 2019
This is a Filipino omnibus film about three different journeys.
Drama
Video-Palaro: The Video Diaries of Kidlat Tahimik
1
Produced over 15 years for the JVC-sponsored Tokyo Video Festival, Tahimik’s Video Diaries offers a lovely set of accents to his longer 16mm films. Tropes and themes that recur throughout the director’s career are set in gemlike relief in these brief yet eloquent videos, which include a loving reminiscence of fatherhood on the occasion of Tahimik’s 50th birthday; a tree-planting ritual to celebrate the impending 500th anniversary of Magellan’s voyage; a short documentary on the dying practice of rice terraces, filtered through a homage to Kurosawa; a tribute to the importance of roofs and the strength of bamboo as a building material; and a healing ritual for an oil spill off the island of Guimaras.
Documentary
Our Bomb Mission in Hiroshima
1
An unexploded bomb that the Americans dropped in the Philippines in their war against the Japanese was found in a river. It was transformed into a bell by the Ifugaos and sent back to Japan. This time as a gesture of peace.
Documentary
Lakaran ni Kabunyan
1

Lakaran ni Kabunyan

Feb 14, 2020
Kidlat Tahimik’s son, Kabunyan de Guia, embarks on a journey from his hometown of Baguio to the southern urban city of Davao using an orange minivan and explores other places in the Philippines along the way.
Documentary
Perfumed Nightmare
7.2

Perfumed Nightmare

Jan 08, 1979
Kidlat Tahimik’s son, Kabunyan de Guia, embarks on a journey from his hometown of Baguio to the southern urban city of Davao using an orange minivan and explores other places in the Philippines along the way.
Comedy