Wang Bing

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Uno sguardo alla Terra
1
Sardinia 2017. The starting point for the film is one of the most loved lands in the Mediterranean, using it to enter into the world of cinema. Ten international masters of cinema explain Fiorenzo Serra's images, one of the greatest post-war Italian documentary makers. His masterpiece, "The last punch of Earth", will be analyzed and debated, a film which examined Italian change and European reflection.
Documentary
천당의 밤과 안개
5.5
Korean film critic Jeong Sung-il’s camera explores the work of Wang Bing, a Chinese director who won international fame with his film Tie Xi Qu: West of the Tracks. Jeong’s attempt to pry into Wang’s filmmaking secrets leads to the question: “What is film?”
Documentary
Portrait Wang Bing
1

Portrait Wang Bing

Jul 09, 2017
A portrait of the filmmaker and documenta 14 artist Wang Bing (winner of the Locarno Festival's Golden Leopard for "Mrs. Fang"). Wang Bing shot his previous films digitally, for example "15 Hours" which consists of a single 15-hour long shot. In Kassel, he bought his first Bolex (16 mm camera). With a stopwatch, he tests how long he film can film at a time.
Documentary
Wang Bing, Tendre Cinéaste Du Chaos Chinois
1
Wang Bing is one of the greatest documentary-makers alive today, and his films offer a very insightful overview of the transformations occurring in Chinese society. Here, Dominique Auvray conducts an interview that, in addition to the biographical information, focuses above all on the relationship with things unsaid: Wang Bing attempts to do justice to his theme and the testimonies he’s gathered, but he stumbles over the words, struggling to keep his emotions in check. The pain of tackling history shows through the awkward speech.
Documentary
原油
7.2

原油

Jan 17, 2008
Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.
Documentary
遗址
6

遗址

Apr 14, 2014
Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.
Documentary
L'Argent du charbon
6.5

L'Argent du charbon

Mar 07, 2009
Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.
Documentary
L'Homme sans nom
6.1

L'Homme sans nom

Feb 05, 2010
Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.
Documentary
L'Homme sans nom
6.1

L'Homme sans nom

Feb 05, 2010
Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.
Documentary
原油
7.2

原油

Jan 17, 2008
Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.
Documentary
父与子
6.2

父与子

Oct 21, 2014
In 2010, while he was filming "Three Sisters" in the mountain of Yunnan province, Wang Bing met two teenagers, Yonggao and Yongjin, whose father, a stonemason, had gone to the city in the hope of finding work. Wang Bing met up with them again in 2014, when they had been reunited with their father after four years in Fumin. For about a month, Wang Bing filmed their daily lives in the single squalid room that was their home. The fixed camera recorded the micro-events that punctuated their days : their father leaving for work, the youngsters themselves waking up, breakfast time, in front of the television, etc.
Documentary
父与子
6.2

父与子

Oct 21, 2014
In 2010, while he was filming "Three Sisters" in the mountain of Yunnan province, Wang Bing met two teenagers, Yonggao and Yongjin, whose father, a stonemason, had gone to the city in the hope of finding work. Wang Bing met up with them again in 2014, when they had been reunited with their father after four years in Fumin. For about a month, Wang Bing filmed their daily lives in the single squalid room that was their home. The fixed camera recorded the micro-events that punctuated their days : their father leaving for work, the youngsters themselves waking up, breakfast time, in front of the television, etc.
Documentary
Venice 70: Future Reloaded
5.1
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Drama
孤独
5.8

孤独

Jan 24, 2013
Three sisters aged 10, 6 and 4 have to cope more or less on their own in a remote mountainous region of Yunnan. Terrible poverty in China, shown with gripping compassion by today's best documentary maker. Shorter version of Three Sisters, which premiered in Venice.
Documentary
Argent amer
5.8

Argent amer

Jan 12, 2018
Three sisters aged 10, 6 and 4 have to cope more or less on their own in a remote mountainous region of Yunnan. Terrible poverty in China, shown with gripping compassion by today's best documentary maker. Shorter version of Three Sisters, which premiered in Venice.
Documentary
À l'ouest des rails
7.659

À l'ouest des rails

Sep 07, 2003
Three sisters aged 10, 6 and 4 have to cope more or less on their own in a remote mountainous region of Yunnan. Terrible poverty in China, shown with gripping compassion by today's best documentary maker. Shorter version of Three Sisters, which premiered in Venice.
Documentary
À l'ouest des rails
7.659

À l'ouest des rails

Sep 07, 2003
Three sisters aged 10, 6 and 4 have to cope more or less on their own in a remote mountainous region of Yunnan. Terrible poverty in China, shown with gripping compassion by today's best documentary maker. Shorter version of Three Sisters, which premiered in Venice.
Documentary
15 Hours
1

15 Hours

Jun 10, 2017
The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.
Documentary
Madame Fang
6

Madame Fang

Aug 09, 2017
The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.
Documentary
Man in Black
7.4

Man in Black

May 22, 2023
The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.
Documentary
Madame Fang
6

Madame Fang

Aug 09, 2017
The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.
Documentary
Jeunesse (Le Printemps)
6.7
The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.
Documentary
À la folie
6.9

À la folie

Jun 28, 2014
The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.
Documentary
À la folie
6.9

À la folie

Jun 28, 2014
The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.
Documentary
À la folie
6.9

À la folie

Jun 28, 2014
The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.
Documentary
Fengming, chronique d'une femme chinoise
7.6
The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.
Documentary
暴力工厂
1

暴力工厂

May 24, 2007
Modern China. On a bright sunny day, in a building site, an industrial complex is being deconstructed. Night falls. The ruins of the factory are empty and silent. Phantoms appear, voices are heard, telling their stories....From the anthology The State of the World.
Drama
Argent amer
5.8

Argent amer

Jan 12, 2018
Modern China. On a bright sunny day, in a building site, an industrial complex is being deconstructed. Night falls. The ruins of the factory are empty and silent. Phantoms appear, voices are heard, telling their stories....From the anthology The State of the World.
Documentary
遗址
6

遗址

Apr 14, 2014
Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.
Documentary
Beauty Lives in Freedom
1
Gao Ertai (1931) is an artist, teacher, philosopher who, in the 1950s, was imprisoned in the Jiabiangou Labour Camp. The film works as a diptych with Fengming, the confessional story of another victim of reprisals, and closes a vast film series on those who disappeared.
Documentary
孤独
5.8

孤独

Jan 24, 2013
Three sisters aged 10, 6 and 4 have to cope more or less on their own in a remote mountainous region of Yunnan. Terrible poverty in China, shown with gripping compassion by today's best documentary maker. Shorter version of Three Sisters, which premiered in Venice.
Documentary
遗址
6

遗址

Apr 14, 2014
Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.
Documentary
Madame Fang
6

Madame Fang

Aug 09, 2017
Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.
Documentary
L'usage du monde: Vol. 1
1
A collection of six documentary films featuring various locations and cultures of the world, screened at the Musée du Quai Branly from 18-23 May.
Documentary
L'usage du monde: Vol. 1
1
A collection of six documentary films featuring various locations and cultures of the world, screened at the Musée du Quai Branly from 18-23 May.
Documentary
À la folie
6.9

À la folie

Jun 28, 2014
A collection of six documentary films featuring various locations and cultures of the world, screened at the Musée du Quai Branly from 18-23 May.
Documentary
遗址
6

遗址

Apr 14, 2014
Wang Bing filmed "Traces" in 2005, during the search for locations for his film "The Ditch", in former « labour camps » in the Gobi Desert, where thousand of political prisoners had died of hunger. For the first time, he used 35mm black and white film (a gift from artist Yang Fudong) to capture this landscape condemned to disappear. With no sound, the film records the final, barely visible traces of human lives: bones, clothing, footsteps... Drawing on experimental documentary, this short video echoes other subjects dear to Wang Bing : the story of the campaign against the « rightist elements » in the early 1950s and the reeducation and hard labour camps established before the Cultural Revolution. This film, which was not edited until 2014, was first presented at the Centre Pompidou the same year and then again at the Galerie Chantal Crousel in 2018.
Documentary
父与子
6.2

父与子

Oct 21, 2014
In 2010, while he was filming "Three Sisters" in the mountain of Yunnan province, Wang Bing met two teenagers, Yonggao and Yongjin, whose father, a stonemason, had gone to the city in the hope of finding work. Wang Bing met up with them again in 2014, when they had been reunited with their father after four years in Fumin. For about a month, Wang Bing filmed their daily lives in the single squalid room that was their home. The fixed camera recorded the micro-events that punctuated their days : their father leaving for work, the youngsters themselves waking up, breakfast time, in front of the television, etc.
Documentary
原油
7.2

原油

Jan 17, 2008
Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.
Documentary
Les Âmes mortes
7.2

Les Âmes mortes

Oct 24, 2018
Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.
Documentary
Les Âmes mortes
7.2

Les Âmes mortes

Oct 24, 2018
Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.
Documentary
青春:苦
9

青春:苦

Aug 13, 2024
In this enveloping second part of the Youth trilogy, shot between 2015 and 2019, Wang Bing deepens his vérité portrait of a generation struggling to survive on meager wages amidst a nation’s economic expansion, emphasizing the distrustful, increasingly combative relationship between workers and management.
Documentary
Jeunesse (Le retour)
9

Jeunesse (Le retour)

Sep 06, 2024
Wang Bing concludes his monumental Youth trilogy in expansive fashion, giving ever wider scope to the lives of migrant workers in Zhili’s textile factories as they plan to go to their remote hometowns to visit their families and celebrate the festivities for New Year’s break.
Documentary
Madame Fang
6

Madame Fang

Aug 09, 2017
Wang Bing concludes his monumental Youth trilogy in expansive fashion, giving ever wider scope to the lives of migrant workers in Zhili’s textile factories as they plan to go to their remote hometowns to visit their families and celebrate the festivities for New Year’s break.
Documentary
Madame Fang
6

Madame Fang

Aug 09, 2017
Wang Bing concludes his monumental Youth trilogy in expansive fashion, giving ever wider scope to the lives of migrant workers in Zhili’s textile factories as they plan to go to their remote hometowns to visit their families and celebrate the festivities for New Year’s break.
Documentary
喜洋塘
4

喜洋塘

Mar 12, 2009
The inhabitants of the village of Xi Yang Tang lead lives of extreme poverty and hardship. The children spend most of their time looking after their little brothers and sisters, and helping their parents with everyday chores.
Documentary
Beauty Lives in Freedom
1
Gao Ertai (1931) is an artist, teacher, philosopher who, in the 1950s, was imprisoned in the Jiabiangou Labour Camp. The film works as a diptych with Fengming, the confessional story of another victim of reprisals, and closes a vast film series on those who disappeared.
Documentary
Les Âmes mortes
7.2

Les Âmes mortes

Oct 24, 2018
Gao Ertai (1931) is an artist, teacher, philosopher who, in the 1950s, was imprisoned in the Jiabiangou Labour Camp. The film works as a diptych with Fengming, the confessional story of another victim of reprisals, and closes a vast film series on those who disappeared.
Documentary
Les Âmes mortes
7.2

Les Âmes mortes

Oct 24, 2018
Gao Ertai (1931) is an artist, teacher, philosopher who, in the 1950s, was imprisoned in the Jiabiangou Labour Camp. The film works as a diptych with Fengming, the confessional story of another victim of reprisals, and closes a vast film series on those who disappeared.
Documentary
暴力工厂
1

暴力工厂

May 24, 2007
Modern China. On a bright sunny day, in a building site, an industrial complex is being deconstructed. Night falls. The ruins of the factory are empty and silent. Phantoms appear, voices are heard, telling their stories....From the anthology The State of the World.
Drama
I Come From Ikotun
1

I Come From Ikotun

Jan 01, 1970
Four years ago, Kingsley arrived from Nigeria in Guangzhou, China and shared a small room with other Africans in the basement of a commercial building. He converted this modest space into a barber’s shop. Kingsley is keen to start an import and export company and to register it officially in Guangzhou. He works every day until 11 pm then goes to sleep in a chair at McDonald’s. He must also send money to his wife, so despite all his efforts, he is still unable to put aside enough money to register his business. In mid-November 2019, he goes back to Lagos to renew his visa. There, he and his wife rent a small stall in the Ikotun Market in the suburbs. But business is hard. Early in 2020, Kingsley is due to head back to China to continue his quest, but with all travel blocked by the Covid-19 epidemic, he remains stuck in Nigeria. Meanwhile, in Guangzhou, the director meets Evelyn, a Nigerian woman, trying to survive with her 6-year-old daughter and with another one on the way.
Documentary
天安门
1

天安门

Sep 02, 2009
It's 1949 and Tiananmen Square is a mess. Overgrown with weeds and thoroughly dilapidated it looks like hell, but it's where Chairman Mao wants to hold the Founding Ceremony for the People's Republic of China on October 1, 1949. And so TIAN AN MEN recounts the heroism, the struggle and the sacrifices of a People's Liberation Army unit as they...clean up and re-decorate the Tiananmen Gate? (Description by Subway Cinema)
Drama
1966:我的红卫兵时代
1
More preoccupied with "history" than Wu's other works, My Time in the Red Guards is a record of his fascination with the missed moment, Mao's Cultural Revolution. In 1966, the Red Guards ironically represented the official avant-garde, a movement carried forward by youth determined to become heroes of the Revolution. Wu interviews people who had joined the Red Guards as high schoolers, most now successful professionals, some Party members. The miscalculations and cruelties of this extreme cultural campaign are spread out before us, detailed by personal recollection and further illustrated by old agit-prop newsreels. Misgivings and fond remembrance vie for position as the interviewees seem to confuse the nostalgia of youthful action with the excesses of historical fact.
Documentary