10-part epic documentary on the life, work and times of filmmaker Lionel Rogosin, the radical director of ON THE BOWERY, COME BACK AFRICA, GOOD TIMES WONDERFUL TIMES and BLACK ROOTS. Film by Michael Rogosin, the son of Lionel Rogosin.
Interwoven with clips from the original film "Come Back Africa", the late Lionel Rogosin tells the story of how he penetrated Sophiatown, Johannesburg during the iron rule of the apartheid regime. In what develops like a political thriller, An American in Sophiatown is one of the most damning portrayals of this police state.
A BAFTA award nominated documentary studying Hungarian refugee problems after the October 1956 revolution. Shot on the Austro-Hungarian frontier and in the refugee camp at Traiskirchen.
A BAFTA award nominated documentary studying Hungarian refugee problems after the October 1956 revolution. Shot on the Austro-Hungarian frontier and in the refugee camp at Traiskirchen.
A BAFTA award nominated documentary studying Hungarian refugee problems after the October 1956 revolution. Shot on the Austro-Hungarian frontier and in the refugee camp at Traiskirchen.
A BAFTA award nominated documentary studying Hungarian refugee problems after the October 1956 revolution. Shot on the Austro-Hungarian frontier and in the refugee camp at Traiskirchen.
A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.
A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.
Oysters Are in Season feautures the improvised humor of Swede Sorenson, Dean Preece and Molly Parkin as they play out sharply satiric situations. Utter foolishness abounds in short skits that range from an employment interview with an applicant whose previous experience has left him physically uncontrollable, and an unsuspecting golfer who arrives for a first lesson, to scenes of mayhem with a hammock and a chinese lantern masquerading as an artificial kidney.
The documentary looks at interracial marriage between black men and white women and the problems and issues associated with it. Featured are black civil-rights worker James Collier and his wife, a white woman.
The sixth and final feature-length film produced and directed by American independent filmmaker Lionel Rogosin. The film looks at workers who organize to resist exploitation by pulpwood corporations.
A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.
Black Roots is the fourth feature-length film produced and directed by American independent filmmaker Lionel Rogosin. The film gathers a number of African American folk and blues musicians in a room, where they share stories and songs about the black experience in America.
A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.
Oysters Are in Season feautures the improvised humor of Swede Sorenson, Dean Preece and Molly Parkin as they play out sharply satiric situations. Utter foolishness abounds in short skits that range from an employment interview with an applicant whose previous experience has left him physically uncontrollable, and an unsuspecting golfer who arrives for a first lesson, to scenes of mayhem with a hammock and a chinese lantern masquerading as an artificial kidney.
The passionate final documentary from Lionel Rogosin, in which Palestinian poet Rashed Hussein and Israeli writer Amos Kenan seek dialogue toward a possible solution to the never-ending conflict. Never before have both sides discussed a mutual problem so frankly, and so willingly. Rogosin provides an open forum for two formidable intellects to discuss the fates of their nations, and the ever-receding possibility of peace.
Black Roots is the fourth feature-length film produced and directed by American independent filmmaker Lionel Rogosin. The film gathers a number of African American folk and blues musicians in a room, where they share stories and songs about the black experience in America.