Jay Lacopo

À deux jours de la fin de ses quatre années d'étude à l'université, Jack est nostalgique et déprimé à l'idée de se séparer de sa bande d'amis. Il se rend compte de la responsabilité que représente leur diplôme. À chacun sa vie désormais.

Stanley a perdu tout espoir : ça fait maintenant trois ans et demi qu'il n'est pas sorti avec une fille. Son ami Michael tente continuellement de lui trouver l'âme soeur. Diana pourrait bien faire l'affaire : elle est belle, intelligente, sûre d'elle et, pour couronner le tout, elle est de nouveau célibataire. Dès lors, Stanley élabore tous les stratagèmes possibles et inimaginables pour la séduire. Les semaines passent et il n'ose toujours pas se jeter à l'eau. Il est persuadé qu'elle dira non. Stanley trouve enfin le courage d'aller lui parler et n'en revient pas d'apprendre que Diana accepte de sortir avec lui. Cependant, lorsqu'il se prépare pour la fameuse grande nuit, un malheureux accident survient : il renverse un sans-abri avec sa voiture. Ce dernier s'en sort avec plus de peur que de mal et semble avoir adopté Stanley. Il va même jusqu'à s'intéresser à Diana.

Alex et Annie partent en croisiere dans les Caraibes sur un luxueux paquebot. Un policier de bord est intrigue par le comportement nerveux d'un certain Geiger, qui se pretend golfeur. Il est encore loin de s'imaginer que Geiger transporte avec lui tout un arsenal qui va mettre la vie des passagers en danger.

A first-time feature-film director (who's also the writer and producer) is casting the lead actress. We meet him talking to his wife about the picture and the process. We meet the actress, Sandy, negotiating with her roommate and talking by phone to her mother. Then, we watch Sandy audition for the director at the call-back session; also attending are the casting director and the production company's sycophants. The wrinkle is that the director is a homicidal misogynist, his wife is tied up and hanging from the ceiling, and Sandy has something in her purse that bodes a rocky future.

After the death of his older brother, Guiseppe "the guppy" Calzone becomes head of the Calzone Mob family. His aging father knows his son is not cut out for the job, so he sends him to "Mafia University". The head of a rival Mafia Family sees this as an opportunity to strike and bring the Calzone Family to its knees. Surrounded by danger, double-crossing and pasta.

A first-time feature-film director (who's also the writer and producer) is casting the lead actress. We meet him talking to his wife about the picture and the process. We meet the actress, Sandy, negotiating with her roommate and talking by phone to her mother. Then, we watch Sandy audition for the director at the call-back session; also attending are the casting director and the production company's sycophants. The wrinkle is that the director is a homicidal misogynist, his wife is tied up and hanging from the ceiling, and Sandy has something in her purse that bodes a rocky future.

A first-time feature-film director (who's also the writer and producer) is casting the lead actress. We meet him talking to his wife about the picture and the process. We meet the actress, Sandy, negotiating with her roommate and talking by phone to her mother. Then, we watch Sandy audition for the director at the call-back session; also attending are the casting director and the production company's sycophants. The wrinkle is that the director is a homicidal misogynist, his wife is tied up and hanging from the ceiling, and Sandy has something in her purse that bodes a rocky future.

A first-time feature-film director (who's also the writer and producer) is casting the lead actress. We meet him talking to his wife about the picture and the process. We meet the actress, Sandy, negotiating with her roommate and talking by phone to her mother. Then, we watch Sandy audition for the director at the call-back session; also attending are the casting director and the production company's sycophants. The wrinkle is that the director is a homicidal misogynist, his wife is tied up and hanging from the ceiling, and Sandy has something in her purse that bodes a rocky future.

Présentateur d'une émission de téléachat sur le bricolage, Tim Taylor est en fait un piètre bricoleur. Pourtant, l'« homme outil », comme il se surnomme, adore modifier et améliorer les choses qui l'entourent, ce qui l'entraîne souvent à l'hôpital…

As Cooper Barrett struggles to survive each of life’s many challenges, he guides us through the often-messy, always-hilarious ordeal, so that our lives don’t have to be nearly the entertaining disaster that Cooper’s is turning out to be.