Dejan Spasič

Aleksandra, jeune étudiante en anglais de 23 ans vit à Ljubljana, capitale de la Slovénie. Ses parents sont divorcés : elle méprise sa mère, qui a quitté le domicile familial, mais a plus d’affection pour son père, un rocker vieillissant. Aleksandra mène une double vie : pour vivre, elle se prostitue via les petites annonces sous le nom de "Slovenian Girl". Froide et manipulatrice, elle pensait faire son métier avec détachement. La réalité, sous la forme d'un proxénète menaçant ou des crédits à payer, va vite la rattraper.

Filip, a rabbit lover, gets into an argument with his boss Romana, who tries to get revenge on him and hurt him as much as possible.

A couple is waiting in the vet hallway with their dog. Non-verbal communication begins between the visibly frightened woman and the receptionist.

The lives of a wealthy married couple radically change in an instant. While the husband is in critical condition after an accident that occurred under strange circumstances, the wife tries to understand the situation and to salvage what she can… In this constricted, small-scale drama by a renowned Slovenian filmmaker, Pia Zemljič excels in the role of the resourceful wife.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

Tanya is 35, with a successful career. Her husband Mare is an architect. One Friday, Tanya comes home late at night. Mare confronts her and they exchange some edgy words; Mare is clearly jealous, he loses control of himself and slaps her in the face. Obviously, it is not the first such incident. Tanya locks herself in the bathroom. They continue their conversation over the locked doors. Mare calms down, but when Tanya comes from the bathroom, he becomes abusive again. The noise wakes up a neighbor who reports them to the police. The police arrive and the couple calms down. When the police leave, the couple resorts to psychological abuse. What follows is the night of hateful and skillful twisting of words that unveils, step by step, all the dark secrets of their relationship. Behind a facade of a successful couple, there are suppressed feelings of inferiority, weaknesses, deceit, frustration and traumas from their youth.

Andrej, un jeune délinquant, est placé dans un centre de détention pour mineurs. Il y fait la rencontre de Zelko, un chef de gang pour qui il voue une véritable fascination. Conscient de l’emprise qu'il exerce sur Andrej, Zelko le pousse à commettre des délits de plus en plus graves qui pourraient avoir des conséquences irréversibles...

It focuses on Ana, the wife of tycoon Sašo. When her husband gets in trouble and disappears, she realizes she does not know anything about her husband or his business.

When a man known as Oroslan dies, the news quickly spreads through a little village, causing grief and emotion. Later on, actions become words and words become stories. In order to overcome the sorrow and restore the natural flow of life, the villagers start sharing their memories about Oroslan, re-creating his image through their tales.

Bosnie, 1997. Quatre jeunes femmes, deux vieilles dames,quatre fillettes, un vieil homme et un jeune garçon vivent à Slavno, un village dévasté par la guerre. Leurs familles ont été tuées et les corps n’ont jamais été retrouvés. À force de vivre en présence de leurs disparus, les femmes du village se sont créées un monde très particulier dans lequel ce qui n’est pas là est bien là. Alors qu’elles essaient de vivre en maintenant intacts leurs souvenirs et leurs rêves, elles ont fait de leur village un pays idéal, sans même s’en rendre compte.

Boris Robič is, as we say, an ordinary kind of bloke. One evening, however, someone tries to shoot him. The investigations reveal nothing. No enemies, no suspects. You could say that Boris is the last person anyone would want to kill. After the police close the investigation, Boris decides to make his own inquiries. As he searches for the suspect, we see the tragi-comedy unfold of a man who discovers that a lot more people hate him than he ever realized and that the way he sees his own life was an illusion.

Driving home from a New Year's Eve party, Chief Inspector Taras Birsa notices a police car by the road. He stops, and inadvertently gets involved in an investigation of a brutal murder of a young woman.