Odiseo Bichir

The story of three brothers arises between dreams, ideals and frustrations in the context of a community rebellion to defend their river from a construction company.

Tous les vendredis, le colonel - vêtu de son costume - attend, solennel sur le quai de la gare, la lettre qui doit lui annoncer le versement de la pension qu'on lui a promise. Tous les habitants de son village savent qu'il attend en vain. Même sa femme en est persuadée. Mais le colonel continue à nier l’évidence. Chez lui, on meurt de faim. Sa femme est un sac d'os secouée de quintes de toux. Contre la misère, contre la faim, contre sa femme qui demande sans cesse : "Que mangerons-nous?", la réponse du colonel, ruminée depuis vingt ans est : "Nous mangerons de la merde!"

It's 1994 in Mexico, the nation was witnessing a turbulent year since its beginnings. An indigenous rebellion shakes the country. Three months later, the ruling party's presidential candidate is brutally murdered during a rally in Tijuana. The country is concerned. Nobody knows who's behind this event, it all points to a conspiracy. Andrés Vázquez, an intelligence expert, is commissioned to lead a secret investigation parallel to the official government issued one. But another expert agent, el Seco, has received orders to wipe out all witnesses and get rid of the evidence surrounding the candidate's murder. As Andrés begins putting the pieces of this intricate puzzle together and comes closer to the truth, he realizes he's also putting his life and that of his loved ones in peril.

A married, middle-aged well-known biochemist and university teacher Augusto, leaves his wife, his job and the comfort of his life to go after Marlene, a 14-year-old teenager with extraordinary beauty who burst into his life unexpectedly. One day, Marlene is taken from the custody of Augustus by Genaro, a psychotic sailor, who seduces and finally kidnaps her by taking to the ominous port of Tampico, where Augustus will seek her to try to free her, not without giving her life to pain and atonement, undergoing a deep personal transformation.

Hidalgo, en su celda del Hospital Militar de Chihuahua, recuerda algunos pasajes de su vida, principalmente su estancia como párroco en San Felipe Torres Mochas; donde se relacionó con las clases bajas y nació la idea emancipadora, tradujo y montó al Tartufo de Molière, se enamoró de Josefa Quintana y se alejó por algún tiempo de la vida eclesiástica.

For his 50th birthday Marcos only receives an invitation to the wedding of the only woman he loved; 30 years ago. With the chinese mafia after his restaurant and the shattered dream of becoming a writer, Marcos decides to go to the wedding. Fernando, the irresponsible delivery guy joins Marcos in this cross-country adventure. Will they make it ti the wedding on time?

A l'aube de sa vie, la peintre mexicaine Frida Kahlo se rappelle des événements marquants : ses premières toiles, son amitié avec Trotsky, sa relation avec le peintre Diego Rivera, ses amours, ses engagements politiques...

Adapted by writer/director Fernando Sariñana from the stories by Juan Madrid, Ciudades Oscuras (Dark Cities) tells a story of interwoven lives in the seedy underbelly of Mexico City. The several different story lines concern hooker Lola (Dolores Heredia); her drug addict son Fede (Diego Luna); her friend Zeze (Zaide Silvia Gutierrez); Zeze's daughter Susana (Jimena Ayala); and junkie Vicente (Roberto Sosa). Also on the scene are two corrupt cops (Alejandro Tommasi and Jesus Ochoa) and one good cop (Odiseo Bichir), while Chicken (Hector Suarez) and Casimiro (Alonso Echanove) each tell their separate stories to the same bartender (Demian Bichir). ~ Andrea LeVasseur, Rovi

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

A Spanish movie directed by Carlos García Agraz.

In this story, a musical group whose music sets the mood for Events, finds itself at a very crucial moment in its carreer. All of the members face the dilemma of fighting for their dreams or quitting forever.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Marcelo and Sofía love each other, but both suspect the other of infidelity. Marcelo, a film director, accidentally discovers condoms in Sofía’s purse. They are really for Marcelo’s younger sister, but he thinks the discovery confirms his suspicions and keeps one as evidence. Sofía discovers the condom in Marcelo’s wallet and takes for granted that he is cheating on her. Pepe, Marcelo’s cousin, pretends to be him to impress a girl, further complicating the mix up.

A tragicomic short film imbued with magical realism that revolves around the theme of death, focusing specifically on the Mexican people's bond with the departed.

Many stories of families within an urban complex.

A tale about the fragile lives of four characters during a month of their lives. One of them, Ana, is waiting for a kidney donor.

While taking a road trip in their last attempt to fix their marriage, Carlos and Ofelia encounter a young mirror image of what they used to be.

An abused wife (Cecilia Roth) seeks information about her dead mother, a freedom fighter buried in Antigua.

Santos, a fighter finished pacheco overweight and suffers from his recent divorce with Busty Mendoza, a voluptuous and wild woman fighter. To get out of your depression, Santos begins a campaign to help Sahuayo Zombies (gray and harmless characters with which fully identifies). However, his philanthropic campaign soon becomes a very profitable business that leverages Santos for their benefit. The population becomes a zombie plague and Busty Santos threatens to dispose of them. However, the Peyote Murderer (rivals Santos) who gets rid of the zombies. But the world without zombies turns out to be worse than anyone could have imagined and the only chance to save the nation is that the Saints and the Peyote work together to return to repopulate the world Sahuayo zombies.

Five surreal short stories make up this Mexican anthology film.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

Paulina et Adrián, deux jeunes, ne cesseront de lutter pour leur amour, avec un tel courage, et ce, jusqu’au péril de leur vie. En effet, leur entourage ne leur facilitera pas la tâche ; le chemin vers l'amour sera semé d'obstacles. Gonzalo Murat, le père de Paulina, a décidé qu’il ne voulait pas entendre parler d’Adrián pour de sombres considérations sociales. De son côté, Julieta, la sœur d’Adrián, toujours prompte à régenter la vie de son frère, refuse qu’il se marie avec Paulina parce qu’elle est la fille de Gonzalo Murat, ce même Gonzalo Murat qui a escroqué leur père, conduisant de ce fait celui-ci à la ruine puis à la mort... La relation amoureuse de Paulina et d'Adrián est donc soumise à rude épreuve. D'où leur futur mariage, bien que planifié, semble de plus en plus improbable car Julieta dit vrai. Gonzalo est bel et bien responsable de ce dont elle l’accuse, même s’il ne le reconnaîtra jamais puisqu'il est devenu un riche entrepreneur hôtelier, l’un des notables les plus respectés de la région. Quels que soient les motifs qui poussent leurs proches à les séparer, Adrián et Paulina sont déterminés à sauver leur amour. Ils sont en cela épaulés par Camilo, qui a tenu à se ranger, quoi qu’il lui en coûte, aux côtés de Paulina, dont il est amoureux depuis toujours. Belle âme, Camilo veut rendre Paulina heureuse à tout prix, fût-ce auprès d’un autre homme. Mais, le jour du mariage venu, ce qui aurait dû être une journée de rêve vire au cauchemar... Julieta brandit un document qui prouve que Gonzalo a effectivement floué son père. Elle propose à Paulina de ne rien dire aux autorités si celle-ci consent à annuler le mariage. La mort dans l’âme, Paulina explique à Adrián qu’elle ne l’aime pas suffisamment pour tout lui sacrifier et lui annonce que le mariage n’aura pas lieu. Le cœur brisé, Adrián s’exile à Madrid. Plus tard, lorsqu’elle apprend qu’elle est enceinte, Paulina décide d en informer Adrian, dans le secret espoir de tout recommencer avec lui. Mais des mauvaises langues l’informent, à tort, que celui-ci est déjà engagé auprès d’une autre femme. Paulina décide alors de faire marche arrière et de disparaître de la vie d’Adrián sans dire un mot de sa grossesse et quelques années plus tard elle a rencontre Adrián...

La Doña est une histoire de vengeance et d'ambition, de séduction et de trahison, qui tourne autour d'une femme offensée du nom d'Altagracia Sandoval, victime de violence avec un triste passé. Lorsqu'elle et sa sœur Regina étaient adolescentes, leurs parents et son petit ami ont été assassinés. Altagracia a été violée pour laisser sa sœur échapper à un groupe de malfrats appelés "les Monkeys". Elle a donné naissance à une fille, Mónica Hernández, qu'elle ne pouvait pas élever comme étant la mémoire vivante de sa pire expérience. Le sort les lie quand elles tombent amoureuses du même homme, Saúl Aguirre, un avocat de la défense des femmes battues et de leurs causes. Trois mondes se réuniront dans un affrontement de la raison, du ressentiment et de l'amour. Altagracia représente les centaines de milliers de femmes mexicaines qui ont été victimes de la violence des hommes sans visage, protégés par l'impunité. Mais Altagracia, connue sous le nom de "La Doña", se transforme en une femme impitoyable et sans répit, vicieuse et dévoreuse d'hommes. Elle n'accorde pas d'importance à son conjoint, Felipe Valenzuela. Elle a une forte volonté de faire payer chacun de ces hommes par son propre combat qui doit mener à la justice. Pour ce faire, Altagracia usera de l'aide de Braulio Padilla et de Matamoros, ses hommes de mains les plus proches.

Cette nouvelle saga Narcos raconte l'histoire vraie de l'ascension du cartel de Guadalajara et le début de la guerre contre la drogue au Mexique dans les années 1980.

Carrusel is a Mexican telenovela, produced by and first broadcast on Televisa in 1989. It covers daily life in a Mexican elementary school and the children's relationships with a charismatic teacher named Jimena. Among other plot devices, it deals with the differences between the upper and lower classes of Mexican society — specifically as seen in a romantic relationship between Cirilo, a poor black boy, and a spoiled rich girl, Maria Joaquina Villaseñor.

Rosa salvaje is a Mexican telenovela that was broadcast in 1987. It starred the popular Mexican actress Verónica Castro, who played the main character, "Rosa", co-starring with Guillermo Capetillo as her love interest and Laura Zapata as the villain of the story. This telenovela was a huge success in Mexico, Latin America, Bulgaria, Croatia, Serbia, Bosnia and Herzegovina, Russia, Estonia, China the United States, Indonesia and provided the template for numerous other Latin American soap operas in terms of story, plot twists and characters for years to come.

Mexican telenovela remake of the Brazilian soap opera "Todo o nada". Patricia is a sensitive and intelligent woman who begins to work in the firm of Ambrosio and César Augusto (father and son). They both fall in love with her, but César Augusto breaks off his relationship with his girlfriend, Valeria and marries her. Patricia and César Augusto will separate, however, they will meet again later having totally different lives: she is a working woman and he is married to another woman.

La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.

Violeta lives with her uncle because her mother died soon after she was born and she never knew her father, she stays with her grandmother from time to time as well. Violeta has a boyfriend named Ángel who gives her a pet dog. While at her grandmother's house, Violeta discovers a time machine that her grandfather built, so she and her friends travel to different time periods. They visit several important events in Mexican history, learning these stories firsthand.

The story is set at a prestigious, but rigid and repressive school called Instituto Vidal. Its strict owner, Julia Vidal, was once kind but has now turned into a bitter woman following the death of her husband and her daughter, Lauriel. Her granddaughter, Ana, a very sweet and intelligent 10 year old, also has been affected by the death: She has been rendered virtually speechless by the trauma, though she expresses herself through music and possesses an extraordinary ability to move objects with her mind. Ana's unscrupulous father, Francisco Capistrán, however, has taken advantage of the situation to try to steal Julia's school. The timely arrival of Ana's uncle, Salvador, Amanda and her adopted son changes everything. Ana’s sad and lonely life takes an unexpected turn for the better and she regains her joy in a series of adventures bursting with humor, excitement, music and thrilling surprises.

The lives of five women facing a world full of sex, infidelities and secrets.

El diario de Daniela is a Mexican telenovela. It first aired on 1999, and starred Daniela Luján and Martín Ricca.

High school teacher Carla investigates if accusations of harassment against Ricardo, her colleague and best friend, are made up by Daniela, problematic student. The situation revives old traumas from adolescence.