Emilio cherche le grand amour de sa jeunesse avec l'aide de sa fille et de sa petite-fille. Renouera-t-il avec cet amour perdu avant que sa mémoire ne le trahisse ?
In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.
In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.
In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.
Son confesses to his mother, Ana, that he does not feel like a girl; he is a boy. Confused and blocked, Ana will decide to stop in order to observe and understand him and, in the same way, to understand herself. Ana and Son are two sides of the same coin: a mother who does not take care of herself, of her own identity, and a boy in search of his identity with all his strength.
Son confesses to his mother, Ana, that he does not feel like a girl; he is a boy. Confused and blocked, Ana will decide to stop in order to observe and understand him and, in the same way, to understand herself. Ana and Son are two sides of the same coin: a mother who does not take care of herself, of her own identity, and a boy in search of his identity with all his strength.