Hubert

Depuis la définition de Freud de la notion de fantasmes et en particulier depuis la Seconde Guerre mondiale, de nombreux artistes ont nourri leur création de fantasmes sexuels. C’est à cette création autour des fantasmes les plus courants et universels, et à son évolution au cours de l’histoire que ce documentaire se consacre.

A satire about the dictatorship period in Brazil, in which communist militants try to steal the soccer World Cup Trophy from the players Pelé and Carlos Alberto Torres.

A portrays of the period in which Brazilian humor had fewer limits (1986-2003), free from military dictatorship.

A comedy addressing the issues of being single in Rio de Janeiro.

The trajectory of the clumsy reporter Agamenon Mendes Pereira, always present in key events of history, his biggest scoops and his eternal love for Isaura, who survives his unexpected travels around the world, in search of news and fame.

Dr. Botelho Pinto is an idealistic lawyer with a fixed idea: to put an end to Tabajara Organizations once and for all. Before the judge of the First Family Court: First the Mother, Then the Daughter, Botelho accuses the business empire of testing on its favela client Lindauro das Dores a medicine with an unexpected side effect: it awakens in dogs in heat an uncontrollable sexual appetite for the patient.

The trajectory of the clumsy reporter Agamenon Mendes Pereira, always present in key events of history, his biggest scoops and his eternal love for Isaura, who survives his unexpected travels around the world, in search of news and fame.

Dr. Botelho Pinto is an idealistic lawyer with a fixed idea: to put an end to Tabajara Organizations once and for all. Before the judge of the First Family Court: First the Mother, Then the Daughter, Botelho accuses the business empire of testing on its favela client Lindauro das Dores a medicine with an unexpected side effect: it awakens in dogs in heat an uncontrollable sexual appetite for the patient.

A satire about the dictatorship period in Brazil, in which communist militants try to steal the soccer World Cup Trophy from the players Pelé and Carlos Alberto Torres.

Casseta & Planeta is a Brazilian group of comedians who run a TV show named Casseta & Planeta Urgente, broadcast by Rede Globo. The humour featured on the show is mostly satirical, relating to religious or ethical groups, and minorities. The group founded a company called Toviassu Produções Artísticas, whose name is an acronym composed of syllables from the phrase "Todo viado é surdo" – "Every gay is deaf"; which is the ending of a widely known Brazilian practical joke. Each one of the seven members has a specific function within the company. They present their TV show at Rede Globo and publish a website and many books, among other products, for example the "Machobol". Originally a magazine named Casseta Popular and a humour newspaper called O Planeta Diário, the two teams joined forces and were hired by Rede Globo to become writers for the network's comedy shows, starting with TV Pirata in 1988. A few years later, they starred in their own show.

A sketch show satirizing Brazilian television programs.

TV Pirata was a weekly Brazilian comedy show aired on Rede Globo between 1988 and 1990, being re-aired monthly in 1992. Some of the writers later went on to form the comedy troupe Casseta & Planeta. The show was first aired in April 1988 to fill a gap on Rede Globo's Tuesday night prime time line-up and its comedy was inspired by sketch comedy shows such as Saturday Night Live and Monty Python's Flying Circus with a no-nonsense approach to Brazilian comedy; however, it mixed a new style of comedy with elements of Brazilian culture such as football, politics, pop culture, telenovelas, economics and celebrities. No well-known figure or member of any economical or social class was spared from the show's cutting edge humor. The premise of the show was a TV studio being invaded by pirates who took over the programming department and put a tape on the air with some "unusual" programming. Another new element to Brazilian audiences was the performers, who weren't the usual comedic actors, but dramatic actors doing more comedic roles.