Yelena Yegorova

Un paysan naïf se lance à la recherche du bonheur. Il finit par le trouver en intégrant un kolkhoze.

A biography drama about Sergey Kirov, a prominent early Bolshevik leader in the Soviet Union.

The famous musician is selfish and proud towards ex-wife, son, partner, colleagues and relatives. One day, the plane on which he was supposed to fly on vacation crashes. He's late for that and alive, but for his loved ones he isn't...

The main character, the chairman of the district revolutionary tribunal, Comrade Kovalev, believes that a true revolutionary should have only one love - revolution. And women, especially attractive ones, are a great hindrance to Comrade Kovalev. But he is unable to connect theory with practice. Love overcomes the ridiculous prejudices of the hero, who along the way achieves his real victory - the defeat of the White bandit gang...

Director of a Soviet-era enterprises, Baturin, spends days and nights in his private office. Inability to arrange work day and overwork caused Buchanan severe form of neurasthenia. Small, endless quibbling, swearing, threats, Buchanan has turned into a nightmare life of his wife and child. The Director suffers from insomnia. Finally he went to the clinic. On the advice of Professor Buchanan, after going into a rest home, began to exercise, running around on skates, went skiing. A month later, wife and child met quite healthy, mature person.

Marina Orlova couldn't even imagine how many adventures are expecting to her in a first grade...

1941 year. The flagship of the head detachment of the Black Sea Fleet gives an order to one of the submarines to remove the crew from the damaged torpedo boat. An enemy cruiser discovers a Soviet submarine and bombards it with bombs. Submarine forced to lie down. But the task will be completed - and the enemy will take flight.

Pavel Petrov-Bytov was an enfant terrible of the highbrow Leningrad Sovkino film factory. He was notorious for his article “We Have No Soviet Filmmaking,” in which he criticized all the achievements of the Soviet avant-garde. In spite of his beliefs and his scandalous struggle with “bourgeois” and “formalist” filmmaking, Petrov-Bytov directed an aesthetically refined work, shot entirely on set with masterful chiaroscuro lighting: a perfect example of “Soviet expressionism.” Based on a Maxim Gorky story, the plot of Cain and Artem provides a wake-up call to the Russian people to overcome alcoholism and religious factionalism, as it spotlights the (many) drunken denizens of a typical village and their disregard for the Jewish shoemaker Cain.

The eve of the 1905 Russian revolution was unquiet at the Skrobotova and Bardin factory. In response to the fair demand of the workers to dismiss the cruel and rude master, the masters close the factory and call in the troops. They shoot of one of the workers, who failed to restrain a rush of hatred towards the owners, ending Skrobotov's life. Gendarmes arrive at the factory. They succeed in uncovering the social democratic organization in the factory. The arrested workers oppose hysterical cruelty of gendarmes with calm, confident courage.

Katerina murders her husband and her father-in-law. She and her new beau are both sent to Siberia, where the lover almost immediately takes up with a younger woman.